Sound of Charlotte Blog

Why Gil Shaham Calls Tchaikovsky’s Violin Concerto “Iconic”

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When Gil Shaham takes the stage with the Charlotte Symphony for our Annual Gala Concert on September 18, he'll perform one of the most beloved works in the violin repertoire: Tchaikovsky's Violin Concerto in D major.

Shaham has loved the piece since childhood, when he first discovered a recording by Isaac Stern. "I used to listen to that...over and over," he recalls. Today, he counts the concerto among the defining works of the violin literature:
"I think this piece qualifies as being iconic. I know that's a term that people overuse. But writing for the violin before Tchaikovsky's Violin Concerto, or after, there's a clear point of demarcation. Here is where things change." - Gil Shaham
When it was premiered in 1878, the concerto faced skepticism. The performance inspired one of the most scathing and infamous reviews in music history. For months after the concert, Tchaikovsky carried a copy of the review with him and could recite Eduard Hanslick's caustic words by heart:
"Friedrich Vischer once observed, speaking of obscene pictures, that they stink to the eye. Tchaikovsky's Violin Concerto gives us, for the first time, the hideous notion that there can be music that sinks to the ear." - Eduard Hanslick
Yet within a few years, violinists like Leopold Auer and Mischa Elman championed the work's brilliance, and the concerto soon became a cornerstone of the repertoire.

What makes it so enduring? For Shaham, it's Tchaikovsky's unmatched ability to capture the full range of human emotion. "The expression and the emotion of the music was just on a different level of anything that was written before. He really felt that music can take you to all extremes of emotion. He was out there to push the limits."
Experience Gil Shaham's dazzling performance of Tchaikovsky's Violin Concerto with Music Director Kwamé Ryan and the Charlotte Symphony in an all-Tchaikovsky program.
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This post includes excerpts from "The Concerto That Changed Everything for Violinists," a WRTI Arts Desk feature by Susan Lewis.
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Posted in Classics. Tagged as Classical, Violin.

Threads of the 2025–26 Season

Music that connects -- across time, place, and experience. Woven through our season are questions of who we are, where we come from, and what binds us together.

These threads explore the meaning of home, the shaping of American identity, and the stories we share.
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America @ 250

Reflect on our nation's musical identity through works by American voices past and present, including Amy Beach, Leonard Bernstein, Aaron Copland, and George Walker. --> Explore the Classical Series
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Perspectives on Home

Explore how composers from around the world wrestle with what it means to belong -- from Dvořák's longing for home in the "New World" Symphony to Anna Clyne's response to pandemic isolation in The Years, receiving its U.S. Premiere. --> Explore the Classical Series
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Spotlight: Gabriel Kahane

Take a closer look at composer, singer-songwriter, and multi-instrumentalist Gabriel Kahane in a season-long exploration of his poignant musical stories, culminating in the powerful season finale, emergency shelter intake form. --> Dive into the Spotlight Series
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Iconic Fifths

Revel in three of the most iconic Fifth Symphonies: Beethoven, Shostakovich, and Tchaikovsky -- timeless works that explore strength, struggle, and triumph. --> Explore the Classical Series
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Posted in Classics.

Concertmaster Calin Ovidiu Lupanu Talks Mendelssohn’s Double Concerto



On January 31 and February 1, Charlotte Symphony Orchestra Concertmaster Calin Ovidiu Lupanu will take the stage with frequent collaborator pianist Phillip Bush for an emotional and highly anticipated performance of Mendelssohn's Double Concerto. Calin sat down to share his thoughts on what makes this concerto so special and why this performance holds special meaning for him.

What makes Mendelssohn's Double Concerto so exciting for you to perform?

Pianist Phillip Bush and I have performed together many times, but this will be our first time playing a concerto together with the full orchestra behind us. Mendelssohn's Double Concerto is such a wonderful piece of music -- full of youthful exuberance and energy, with some very delicate and melancholic moments typical of Mendelssohn.

This concerto was composed in 1832, right after Mendelssohn wrote his Concerto for Violin and String Orchestra, a piece I performed with the CSO during the pandemic. In many ways, these two works are quite similar -- full of beautiful melodic material and intense, fast passage work. What an incredible accomplishment for the 14-year-old Mendelssohn!



What are you most looking forward to about performing with pianist Phillip Bush and conductor Akiko Fujimoto?

I have played with Phillip Bush so many times that I've lost count! Our first collaboration was during my first year in Charlotte when we performed the Tchaikovsky Piano Trio, and from that moment, something just clicked! Phillip is such a wonderful musician and person, and he's very easy to work with. Every time we play together, I learn something new from him. Most of the time, we don't even have to talk; things just fall into place naturally.

This will be my first time working with Akiko Fujimoto, and I'm really looking forward to it! I'm sure it will be a fantastic collaboration.



What would you like the audience to know about this performance?

This performance will be especially meaningful for me because it will take place one year to the day since my mother's passing. For me, it will be highly emotional, and I hope that I will make her proud.

Join CSO Concertmaster Calin Ovidiu Lupanu, pianist Phillip Bush, and conductor Akiko Fujimoto for a thrilling performance of Mendelssohn's Double Concerto on January 31 and February 1. The program will also include Louise Farrenc's Overture No. 2 and Robert Schumann's "Spring" Symphony.... Read more

Posted in Classics. Tagged as Classical, concertmaster, interview, Mendelssohn.

Get to Know Music Director Kwamé Ryan



In anticipation of Kwamé Ryan's inaugural concerts as Music Director on November 22 and 23, we're excited to share a glimpse into his remarkable background and the passion he brings to the Charlotte Symphony. Get to know the man behind the baton and what makes his vision for the Symphony so unique.

Early Inspiration

Kwamé Ryan's fascination with orchestral music began at the age of six, when he first heard John Williams's score for Star Wars at a drive-in theater in his home of Trinidad. "I was just completely absorbed by the sound of the orchestra," he says. "It was almost like I couldn't come back from that musical land far, far away."



From Cello to Double Bass

While Ryan originally hoped to play the cello, he instead took up the double bass. He went on to perform with the National Youth Orchestra of Great Britain, where he also honed his conducting skills by assisting with rehearsals.

Champion of New Music

Hungarian composer and conductor Peter Eötvös played a pivotal role in shaping Ryan's approach to music, introducing him to contemporary works and instilling in him the importance of championing new voices in composition.


Mary Kouyoumdjian and Scout Tufankjian with Kwamé Ryan and the NY Philharmonic.

Engaging Young Audiences

Ryan is dedicated to introducing younger audiences to classical music. He recently penned an article for The Guardian, highlighting the value of connecting children with orchestral music through accessible genres like movies and video games.

Commitment to Music Education

Throughout his career, Ryan has been a staunch advocate for music education around the world. He has returned to the BBC Proms on multiple occasions to lead children's programs and served as director of the French Youth Orchestra and at the University of Trinidad and Tobago, where he advanced youth arts initiatives.



Award-Winning Premiere

In 2021, Kwamé Ryan conducted The Time of Our Singing by Kris Defoort which won the World Premier Award at the International Opera Awards 2022.

Roots in Germany

When he's not traveling, Ryan's home base is in Freiburg, Germany, nestled at the edge of the Black Forest, where he enjoys spending time on walks or bike riding.



Join us in welcoming Kwamé Ryan as he steps onto the Charlotte Symphony podium for his inaugural concerts featuring Pēteris Vasks's Musica Dolorosa and Brahms's A German Requiem, November 22 and 23. Plus, don't miss the chance to hear Ryan share his insights into the program at the pre-concert talk, starting at 6:30 pm.
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Posted in Classics. Tagged as Music Director.

5 Fun facts about the Shostakovich & Mendelssohn concert


Curious about what you'll experience at the Shostakovich & Mendelssohn concert? Keep reading for some surprising and fun facts about the soloist, conductor, and composers featured.

1. Amaryn Olmeda designs her own dresses

Joining us as the soloist for Mendelssohn's Violin Concerto in E minor, 16-year-old wunderkind Amaryn Olmeda brings both musical and artistic flair to the stage -- she even designs some of her own performance gowns! In a recent interview with The Violin Channel, she shared that if she weren't a musician, she'd find fashion design a fun alternative.

2. Mendelssohn composed 18 symphonies in his life

Between the ages of 12 and 14, Mendelssohn composed 13 string symphonies, intended for performances in the Mendelssohn household. He completed his first full orchestral symphony when he was only 15 years old.

3. Shostakovich's 9th symphony shocked critics around the world

Shostakovich had promised a grandiose, heroic Ninth Symphony, even hinting at a powerful chorale and a triumphant song of praise. But when it finally premiered, it was anything but -- instead, the symphony turned out to be short, lighthearted, and full of wit, defying all expectations! Before the symphony premiered, Shostakovich said, "Musicians will love to play it and critics will delight in bashing it."


4. Anthony Parnther has worked on the music for Oscar winning films

Anthony Parnther is one of the most sought-after conductors in the film industry, having worked on major blockbusters like Avatar: The Way of Water, Oppenheimer, The Mandalorian, Creed III, and Turning Red. Renowned composer Ludwig Göransson, known for his iconic scores for Black Panther and Oppenheimer, considers Parnther an invaluable collaborator when bringing new film scores to life.

5. Edward Elgar was a fan of Samuel Coleridge-Taylor

Just one year after leaving school, Samuel Coleridge-Taylor received a prestigious commission from the Three Choirs Festival, thanks to a recommendation from none other than Edward Elgar. Elgar praised the young composer, telling the festival that Coleridge-Taylor was "far and away the cleverest fellow going amongst the young men."
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Posted in Classics. Tagged as Classical.

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