Sound of Charlotte Blog

Christmas in July? Yes, please!

There is no doubt about it, summertime in the Carolinas is HOT. What better way to manifest cooler temperatures than by taking a look at what the CSO has in store for you this fall and winter? Make your selections now and be ready for our big Christmas in July sale, beginning July 19.

Home Alone in Concert

Kevin! Your family will delight in John Williams's beloved score performed live while the heartwarming holiday classic is projected on a screen above the orchestra. November 26-27 in the Belk Theater. 

Handel's Messiah

Handel's stunning masterpiece is back by popular demand. Join your CSO, Charlotte Master Chorale, and four soloists on December 3-5 in the Knight Theater for this enduring oratorio full of passion and exquisite beauty. "Hallelujah!"

Magic of Christmas

Delight in the wonder of the holiday season at the annual Magic of Christmas concert with sing-alongs, falling snow, and so much more! NEW this year, we welcome vocalist and entertainer Tony DeSare back to Charlotte to help us spread holiday cheer. December 10-19 in the Knight Theater. 

A Very Thorgy Christmas

Thorgy Thor brings her charisma, uniqueness, nerve, and talent back to Charlotte this holiday season! Experience the world premiere of this holiday show in the Queen City, brought to you by the queen of Classical Music. One-night-only, December 22 in the Knight Theater. 

Cirque de Noël

The circus meets the symphony! Back with a fresh show filled with awe-inspiring acrobatics and musical holiday favorites, this event will fill your family with the wonder of the season. December 29-30 in the Belk Theater. 

New Year's Eve with Melinda Doolittle

Ring in the New Year with an unforgettable evening of music featuring American Idol finalist and soul-stirring songstress Melinda Doolittle. Your ticket includes a post-concert party with champagne, dancing, and a countdown to midnight! December 31 in the Belk Theater.  Read more

Tagged as holidays.

SLIDESHOW: Celebrating America

The Charlotte Symphony welcomed over 4,000 fans to Truist Field to Celebrate America with an evening of patriotic favorites and fireworks. Concertgoers enjoyed the North Carolina premiere of Fanfare for Democracy, a work performed at the 2021 Presidential Inauguration; works by Aaron Copland, John Williams, and more; an appearance by Charlotte Knights' mascot Homer the Dragon; and a spectacular fireworks finale. (Photos by Laura Wolff for the Charlotte Knights)

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It's a beautiful day to Celebrate America in Uptown Charlotte as CSO musicians take their places on the field and begin their warm-up.
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Resident Conductor Christopher James Lees and the Charlotte Symphony kick off the concert with a rousing rendition of the Star Spangled Banner.
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Jim Stephenson's Fanfare for Democracy receives its North Carolina premiere in front of an audience more than 4,000 strong. The work was commissioned for the historic inauguration of President Joe Biden and Vice-President Kamala Harris in January 2021.
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The audience cheers as the CSO performs Morton Gould's American Salute performed tonight in tribute to the bravery of America's frontline and essential workers.
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Christopher James Lees came to play, showing off the Charlotte Knights jersey he stealthily hid under his white jacket before launching into works by Aaron Copland and Leroy Anderson.
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A night at the ballpark is never complete without the 7th inning stretch! Tonight, Homer the Dragon leads the crowd in a boisterous performance of "Take Me Out to the Ballgame."
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Christopher James Lees takes back the baton to lead the Orchestra in Grainger's "Molly On the Shore," "A Chorus Line" by Marvin Hamlisch, and Duke Ellington's "A Medley for Orchestra."
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Not to be outdone, Homer the Dragon returns to the field to conduct one of Sousa's most well-known marches, "The Thunderer," while an enthusiastic crowd clapped along.
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Christopher James Lees brings the concert to a close by acknowledging three retiring musicians, each of whom has been a member of the CSO for over 40 years!
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Violinist Judith Ledbetter, a member for 42 years.
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Cellist Janis Nilsen, a member for 41 years.
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Bassoonist Lori Tibero, a member for 44 years.
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A fireworks finale lights up the night sky in Uptown Charlotte.
 
 
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Posted in Community, Summer. Tagged as community.

Celebrate America with Your Charlotte Symphony


The Charlotte Symphony takes the field on June 25 to Celebrate America with an evening of patriotic favorites and memorable anthems and marches. Truist Field, home of the Charlotte Knights, will be rocking with an all-star lineup of works by Aaron Copland, John Williams, Duke Ellington, and more. And what better way to cap off a celebration of America than with a spectacular fireworks display in the home of America's favorite pastime!
Resident Conductor Christopher James Lees will kick off the concert by leading the CSO in Jim Stephenson's Fanfare for Democracy, a work premiered at the historic inauguration of President Joe Biden and Vice-President Kamala Harris in January 2021.

World Premiere of Jim Stephenson's Fanfare for Democracy at the 59th Presidential Inauguration, Jan. 20, 2021.

The concert continues with Morton Gould's American Salute, a tribute to the bravery of America's frontline and essential workers.

The United States Air Force Symphony Orchestra performs Morton Gould's American Salute.

Christopher James Lees and the CSO will dedicate John Williams's "With Malice Toward None" to the memory of those who have lost their lives during the pandemic. This piece comes from the critically acclaimed film Lincoln and the title refers to a line from the second inaugural speech of former U.S. President Abraham Lincoln. John Williams chose to set a trumpet solo for this scene -- which will be performed by Principal Trumpet Alex Wilborn -- to remind listeners of its evocations of bugle calls, trumpet annunciations, and the death call of Taps. 

"The President's Own" United States Marine Band Performs Williams's With Malice Toward None from Lincoln.

The evening will also include popular works by power hitters Leroy Anderson, Aaron Copland, Percy Grainger, Marvin Hamlisch, and Duke Ellington. And we'll keep an eye out for pinch-hitter and Charlotte Knights mascot Homer the Dragon.  


In the bottom of the ninth, the CSO will serve up a grand slam of marches by John Philip Sousa, including Stars and Stripes Forever, followed by a spectacular fireworks display that will light up the Uptown sky. 

We hope you and your families will join us for a fantastic evening of music and fireworks under the stars!
Celebrate America is presented in partnership with

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Posted in Community, Summer. Tagged as community.

Youth Orchestras Get Back to In-Person Rehearsals

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Dr. Jessica Morel leads the CSO Youth Philharmonic in their first rehearsal of the seasons.
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The CSO Youth Orchestra in their first rehearsal in more than a year.
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Dr. Jessica Morel leads the CSO Youth Philharmonic in their first rehearsal of the seasons.
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The CSO Youth Orchestra in their first rehearsal in more than a year.
 
 
 
After 12 months apart, the Charlotte Symphony Youth Orchestras got back to in-person rehearsing thanks to the generosity of Park Road Baptist Church, which allowed the groups to safely gather in their parking lot. Spirits were high as the groups came together to rehearse works by Chance, Mozart, Mackey, Bryant, Beethoven, and more! The outdoor location allowed for lots of music while still adhering to social distancing guidelines. 

The Youth Orchestra's sounded so wonderful that neighborhood families came by to watch them rehearse from a distance! 


CSO Resident Conductor, and Youth Orchestra conductor, Christopher James Lees shares his excitement at the first rehearsal


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Posted in Education & Community, Youth Orchestras. Tagged as Charlotte Symphony Youth Orchestras, CSYO, Education.

How Atrium Health Helped Keep the Music Playing


As Medical Director of Infection Prevention at Atrium Health, Dr. Katie Passaretti has been on the frontlines of the war against the spread of COVID-19 in our community. She's also worked closely with the Charlotte Symphony to advise on safety protocols; keeping our staff, musicians, and audiences safe and keeping the music playing throughout the pandemic. 

What was your path to becoming the Medical Director of Infection Prevention? 
I think it started when my mom was a home health care nurse and took me on patient visits from a young age. I was always drawn to and excelled at math and science, so going into the field of healthcare seemed like a natural path for me. I studied biology at Johns Hopkins and ended up staying there for medical school, residency and an infectious disease fellowship -- a total of 16 years. I found that infectious disease and hospital epidemiology had a great mix of patient care, interesting stuff, data nerdiness, detective work and the ability to impact larger populations. In 2011, I left Hopkins and came to Atrium Health to take a health system role as medical director of Infection Prevention and never looked back. It's been a wild, but gratifying ride.

How has your day-to-day changed since the pandemic began?  
No one day has been the same for the past year it's been a whirlwind of activity without a doubt! There have been more meetings, emails, phone calls and media interviews than I can count, combined with caring for patients with COVID and other infectious diseases. The days and months have been long and emotional, but worthwhile, and the support and commitment of my leaders at Atrium Health to do what's best for patients, teammates and our community has been inspiring every step of the way!

"A huge part of healing our community is to bring the arts back."


How have you been helping the Charlotte Symphony ensure a safe environment for staff, musicians, and audience?  
My specialty is how to prevent the spread of infections, so I've helped serve as a subject matter expert on reopening safely. That work includes everything from when to start letting people back in, testing symphony staff, masking requirements and ways to make the experience as safe as possible in this time of COVID.

Why do you feel it's important for performing arts institutions to continue their work during this time?  
Artists and the institutions that showcase them and their works are the heart and soul of our community. While the steps taken this past year were necessary to protect our community, there have been tremendous losses and the lack of access to the arts is very much one of those losses. While re-opening performing arts institutions must continue to be done safely, a huge part of healing our community is to bring the arts back.

Learn more about the everyday heroes at Atrium Health.
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Welcome Back to the Symphony!


It's been over a year since the Charlotte Symphony has had an audience in the hall during a performance, but that will finally change this month when the CSO welcomes back a limited number of subscribers into the Belk Theater for a performance of Mozart's Violin Concerto No. 3, featuring violinist Simone Porter, and Respighi's Ancient Airs and Dances. 

In-person seats will be limited, but if you weren't able to snag a ticket, fear not! The CSO will bring audiences back on May 14 and 15 for a special concert featuring Grammy-Award winning saxophonist Branford Marsalis performing Ibert's Concertino da camera and Schulhoff's jazz-inspired Hot-Sonate. The program will also include Bartok's Romanian Folk Dances and Gershwin's Lullaby. 

The concerts in May, conducted by Music Director Christopher Warren-Green, will feel like a homecoming for musicians and audience alike. "These performances are going to be very emotional for all of us, said Maestro Warren-Green. "For the past 13 months, we've been connecting with our audiences through virtual concerts and in small groups, but I cannot wait to safely reconnect with our CSO family in person." 


Streaming concerts have made it possible to continue performing throughout the pandemic, but it just cannot replace the unique experience of sharing in a live orchestral concert. Maestro Warren-Green agrees, "to feel the energy of an audience from the podium again I've missed it so much!"  
As we work to welcome our audiences back into the concert hall, the CSO is committed to safety first and foremost. We're working in coordination with Atrium Health and the Blumenthal Performing Arts Center to develop safety procedures, including reduced seating capacity, physically distanced seating, enforcement of face coverings, contactless ticketing and program books, and more! 
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Posted in Classics. Tagged as Classical.

Spotlight: Branford Marsalis


Branford Marsalis hails from the musically rich and diverse city of New Orleans and was raised in a house of jazz royalty - his father, Ellis, was one of New Orleans' most esteemed pianists and music educators, and he's the oldest among jazz siblings Wynton, Delfeayo, and Jason Marsalis. The New York Times described the Marsalis family as "jazz's most storied living dynasty."

Marsalis has performed with countless jazz legends, formed his own quartet in 1986, and is the winner of three Grammy awards, but his musical interests are not confined to jazz, he is also an accomplished and dedicated performer of classical music and has made a name for himself as a soloist in the orchestral world.

Though he bridges these two musical worlds, his approach is different when playing classical music, "I have to be less loud," Marsalis said in a 2019 interview for artsfile. "I need to have a mouthpiece that allows me to control the tone. Non-classical music never really gets to pianissimo. It never gets softer than super loud. To get that you have to practice in a different way. I played clarinet first. My clarinet teacher was always on me about my tone."

When asked which genre was more difficult, Marsalis didn't hesitate, "Classical is harder. Jazz is like a story that you personalize, but classical is a story where you can't use your own words. It's like reading Shakespeare or Chaucer. You have to develop the characters to make them believable, but the words aren't yours, and you're not going to change Shakespeare. You can't. In classical music, you don't play your own notes, you play theirs." 

 
Branford Marsalis performs the first movement of Ibert's Concertino da Camera.

Reflecting on the growth of his classical music career, Marsalis said "Classical music in my 40s got me to a place where I was going to have to practice and become a better player. It made me a better musician."
Branford Marsalis will join Christopher Warren-Green and your Charlotte Symphony at the Belk Theater on May 14 & 15 to perform Ibert's lyrical and soaring Concertino da camera and Schulhoff's jazz-inspired Hot Sonate. >> Get Tickets

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Posted in Classics. Tagged as Classical, guest artists.

A Composer to Know: Jessica Meyer


As a critically acclaimed violist and passionate educator, New York-based artist Jessica Meyer embarked on her composition career only seven years ago. In a recent interview for the record label Bright Shiny Things she explained, "After many, many years of playing new music and helping kids create their own music, I could not ignore the nagging feeling I had that I was not doing what I was supposed to be doing. I started to write for myself, but once I started writing for other people in 2014, the floodgates were opened and I knew that without a doubt that was what was missing from my life."

In her solo performances, Meyer uses a single simple loop pedal to create a virtuosic orchestral experience using her viola and voice. Drawing from wide-ranging influences which include Bach, Brahms, Delta blues, Flamenco, Indian Raga, and Appalachian fiddling, Meyer's music takes audience members on a journey through joy, anxiety, anger, bliss, torment, loneliness, and passion.

Meyer's work Slow Burn had its premiere on March 18, 2018, performed by the string quintet Sybarite5. 

The piece was premiered at McCurdy's Comedy Theatre in Sarasota, Florida to accompany a dancer from the Black Diamond Burlesque Company which is essentially all you need to know in order to conjure up the appropriate amount of sass you need in order to play it effectively! 

It is also a combination of all the groovy music I like to listen to, at the heart of which is a theme that most singers wind up singing about at some point: that unrequited love that was never meant to be.


Photo: Black Diamond Burlesque Company / members of Sybarite5

Hear Jessica Meyer's Slow Burn performed by your Charlotte Symphony streamed from the Knight Theater on Saturday, March 6 at 7:30 p.m. (watch through March 13)

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Posted in Classics. Tagged as Classical, composer, Virtual Concerts.

Behind-the-Scenes at a Virtual Performance

Take a journey backstage to see what goes into producing your Charlotte Symphony's virtual Classical Series Reimagined. From the musicians and conductors to stagehands and video producers the work of many hands comes together to create the concerts that stream directly to your living room.

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As concert-time draws near, Charlotte Symphony musicians and staff enter the Knight Theater through the stage door in staggered 15 minute intervals ensuring that only small groups are entering at any given time.
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A check-in kiosk is located right inside the door with a symptom checker and touchless thermometer, along with ample sanitizing wipes! Musicians are tested for COVID-19 each week the day before rehearsals begin.
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Meanwhile, in the wings of the theater, stagehand Mark Show uses a special UV light wand to sanitize chairs, stands, and sheet music.
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After checking in, musicians make their way backstage to pick up music for their next concert. Music Library staff use disposable gloves to package the music into envelopes. Those envelopes are then quarantined in music trunks for 3 days.
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After collecting their music, musicians make their way past the video production area and through a large set of doors to the stage, where chairs and stands are placed a safe 6 feet apart.
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Backstage, Resident Conductor Christopher James Lees checks in with some of the team behind the recording and production of the CSO's virtual concerts - (from left to right) Director of Operations Sara Gibson, Vice President of Operation & General Manager John Clapp, and CSO Third Horn/video producer Bob Rydel.
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John Clapp watches over the stage as musicians warm-up. Everyone is required to wear a mask at all times - the only exception is for wind/brass players once they are seated and ready to play.
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The production team is making final adjustments as Bob Rydel and John Clapp monitor the various camera angles and prepare to stream the video feed live to YouTube.
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The strings are all warmed up and await their Maestro.
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As the concert begins, Sara Gibson is keeping an eye on the livestream and the score, preparing to call a light cue that shows the conductor when the microphone is ready for his speaking portion.
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When everything comes together, ticketholders are able to safely enjoy the concert, streamed live, from the best seat in their own houses.
 
 

There are many more opportunities to experience your Charlotte Symphony from the comfort of your own home. Subscribe today for exclusive content, extended access to each concert, and save 10%. Explore the Classical Series Reimagined! Read more

Posted in Classics. Tagged as Classical, Virtual Concerts.

Representing Project Harmony


We couldn't be prouder of Kaleb, Shreya, and Micah, who join our Director of Youth Orchestra Programs Aram Kim Bryan in representing the Charlotte Symphony's Project Harmony at the 2021 El Sistema USA National Symposium and Seminario. This year's theme is "Connect, Adapt, Thrive!" with a focus on racial diversity and cultural understanding, musical excellence during the pandemic, and team and family support pre- and post-pandemic. 

Kaleb, Shreya, and Micah performed the premiere of "What We Will Be," a work composed by Danielle Williams of the Baltimore Symphony Orchestra's OrchKids, as part of the 2021 ESUSA National Seminario Orchestra. Along with her PRESTO (Program for Rising El Sistema Organizations) Cohort members, Aram Kim Bryan will present on the core values of El Sistema, USA.
 
From left to right: Shreya, Micah, & Kaleb

A powerful after-school intensive program serving families who face challenges and seek to provide greater opportunities for their children, Project Harmony provides free instruments, ensemble music training, and homework help to Charlotte area students. Together with our project partner, Arts+, the CSO serves more than 200 Charlotte area students. 

Project Harmony is inspired by the revolutionary music-for-social-change organization, El Sistema, which began in Venezuela in 1975. There are more than 100 El Sistema USA member organizations and programs throughout the United States. The CSO is one of only five in the state of North Carolina, and Project Harmony is the only affiliated program in the Charlotte region. Read more

Posted in Education & Community. Tagged as community, Education, Project Harmony.

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