A Bold New Look for the Charlotte Symphony

September 4, 2024

The Charlotte Symphony Orchestra is stepping into a new era of music-making, innovation, and community connection with a fresh and bold brand identity. As we welcome Kwamé Ryan as our new Music Director for the 2024-25 season, we're excited to share a new visual identity that reflects who we are and where we're headed.

A New Era, A New Identity

Designed in collaboration with renowned design firm Perkins&Will through their Social Purpose initiative, our new logo and branding capture the dynamic energy of our performances and our deep connection with the community.

The design integrates elements of our rich musical heritage, like the elegant curves of a string instrument and typography inspired by musical notation, while also symbolizing how the Charlotte Symphony resonates as a musical pulse throughout Charlotte and the surrounding communities.

Behind the Design

Our new brand isn't just about a new look; it's about conveying the full experience of the Charlotte Symphony -- an experience that's both timeless and forward-thinking, rooted in tradition yet always evolving. The vibrant colors and bold design choices reflect our commitment to innovation, creativity, and accessibility in the world of orchestral music.

"The new identity perfectly captures the energy and spirit of the Charlotte Symphony as we enter this exciting new era with Kwamé Ryan at the helm," said CSO President and CEO David Fisk.

See it in Action

Take a closer look at how our new brand identity comes to life across our platforms -- from our vibrant new logo to the dynamic imagery that represents the heart of our orchestra.

Looking Ahead

Experience the energy of the Charlotte Symphony yourself as we kick off the 2024-25 season with Music Director Kwamé Ryan.

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Get to Know Our New Board Chair, Richard Krumdieck

September 3, 2024

Richard Krumdieck (right) with his wife, Sally, and President and CEO David Fisk (left) at the Charlotte Symphony's 2023 Annual Gala

We recently caught up with Richard Krumdieck, the new Board Chair of the Charlotte Symphony Orchestra, to discuss his passion for music, his journey with the Symphony, and his exciting vision for the future.

How did you begin your journey with music?
Music has always played a central role in my life. Both my parents were from Peru and loved classical music. My father had an extensive collection of classical albums, and my first experience with music was listening to those albums with him on his stereo. One that I especially loved was the Mozart Clarinet Concerto, performed by English clarinetist Jack Brymer. That inspired me to choose the clarinet, and I played in my community youth orchestras and continued studying music through college. For a time, I even considered a career as an orchestral clarinetist, but ultimately, I pursued medicine. However, I have always loved music and deeply admire those who choose to pursue a career in the arts. Even as a young adult, I made a commitment that I would support the arts in any way I could.

Do you still play the clarinet?
I do still play! I take private lessons from Taylor Marino, the CSO's Principal Clarinetist, and perform with community orchestras and community bands. I also enjoy getting together with friends on occasion to play chamber music.

How did you first become aware of the Charlotte Symphony?
I was aware of the Charlotte Symphony before I even moved to the area in the late 1990s. A friend of mine sang in what was then called the Symphony Chorus -- now the Charlotte Master Chorale -- and invited me to a performance of Beethoven's Ninth Symphony. I was very impressed with the level of artistry; that was my first exposure to the CSO. After moving to Charlotte, I became a regular concertgoer and began supporting the Symphony with philanthropic gifts. I was later invited to become a trustee, which deepened my connection to the organization. I became more aware not only of the high level or artistry but also of the organization's values, which align closely with many of my own.

Is there a particular initiative or program at the CSO that resonates with you personally?
Yes, there are several! Two that are particularly important to me involve increasing access to classical music performances, such as moving concerts outside of the traditional concert hall and directly into the community using non-traditional venues like breweries or our new mobile stage, CSO Roadshow. The initiative that is most important to me, however, is providing music education for our youth. I was extraordinarily privileged to have a music education, and I believe every child should have the opportunity to learn music and play an instrument if they desire. The skills learned through music -- such as practice, perseverance, listening, compromise, and collaboration -- are invaluable, whether or not one pursues a career in the arts. The skills I learned from music have served me very well in my career in medicine.

How do you envision the CSO evolving over the next few years?
I believe the CSO is at a very positive inflection point. Under Christopher Warren-Green, the Orchestra achieved significant artistic growth, and I'm eager to see this continue under the direction of new Music Director Kwamé Ryan. I also envision the Charlotte Symphony becoming a more integral part of the Charlotte community and for us to communicate more effectively about the essential role we play in enriching the cultural landscape here.

What are you most looking forward to in your new role as Chair?
I am excited to foster a spirit of collaboration within the CSO and help realize our shared artistic vision. I am also eager to be a strong advocate for the Symphony in our community.

Is there a message you hope to convey to the community through your work with the CSO?
I want to emphasize the essential role that the CSO plays in Charlotte. By providing quality live classical performances, bridging communities through collaboration with other arts organizations like the Charlotte Ballet and Opera Carolina, and our commitment to music education, we're not just an orchestra -- we're a cornerstone of the community! The CSO helps makes Charlotte a vibrant place to live and work, which attracts new businesses to the area.
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Posted in Support. Tagged as interview.

From video games to Beyoncé: 6 concerts that will surprise you

August 28, 2024

Is this the real life or is this just fantasy? Don't worry, this is the real life! This fall season is jam-packed with the perfect mix of classical and popular music to make sure you end up "Crazy in Love" with the symphony. Our top-tier musicians are capable of performing anything from Beethoven to EDM. If you don't believe us, check out these 6 concerts that are sure to spike your curiosity.

The Wizard of Oz in Concert

September 27-28 | Belk Theater

Allow the tornado of music and film to rush you away from the real world and into the magical world of Oz. Let Dorothy, played by America's very own Judy Garland, and her entourage guide you down the yellow brick road as you listen to the wonderful LIVE musical accompaniment from the film. Get to the showing early to catch Music Historian Jason Mitchell, Jazz Studies Director Will Campbell, and Voice Professor Susan Gouthro join Resident Conductor Christopher James Lees to talk about the lasting effects of this American treasure on music.

An Evening with Sphinx Virtuosi

October 9 | Belk Theater

Lauded for their vibrant repertoire and bold concert themes, the Sphinx Virtuosi joins the Charlotte Symphony for this one-night-only special event. The Sphinx Virtuosi pride themselves on their ability to break down barriers and empower the broader community. The night will feature works by Leonard Bernstein, Astor Piazzolla, and a World Premiere by Levi Taylor, as these extraordinary musicians lead you away from the standard and into the unknown.

Heroes: A Video Game Symphony

October 12 | Belk Theater

Are you ready to face the final boss? If not, come level up at the symphony. This concert features familiar tunes from the most popular video games of all time like Assassin's Creed, Dragon Age, Fallout, Halo, Mass Effect, Skyrim, World of Warcraft, and more.

MERGE: Halloween Edition

October 17 & 19 | Blackbox Theater

Dress up and dance at this immersive, high-voltage Halloween party! Through a kaleidoscope of symphonic and electronic music, and immersive visuals, you'll be guided down a delightfully eerie path, encountering trolls In the Hall of the Mountain King, a witches' gathering in a Night on Bald Mountain, and new commissions from composer Ben Hjertmann in this bass-heavy bash of ghoulish grooves.

The Music of Queen

November 1 | Belk Theater

Freddy Mercury once dreamed of being an Opera singer -- and now his music is being performed with a live symphony as a tribute. MiG Ayesa brings an infectious energy to the performance as he channels his inner Freddy Mercury. Join us as we turn Belk Theater into a nostalgia filled rock venue.

Beethoven X Beyoncé

November 15-16 | Knight Theater

Besides alliteration what do Queen B and the father of the Romantic era have to do with each other? Join us and find out! In a thrilling mix of Beethoven's 7th Symphony and Beyoncé's biggest hits, Beethoven X Beyoncé will not be a night you want to miss out on. Read more

4 Can’t-Miss Holiday Experiences with Your Charlotte Symphony

July 11, 2024

It may be sizzling hot here in Charlotte, but we're already dreaming of cooler days and festive cheer. To get you into the holiday spirit early, we're celebrating Christmas in July with fantastic deals on our incredible lineup of holiday concerts, starting on July 17! Here are four magical holiday experiences you won't want to miss:

1. The Muppet Christmas Carol in Concert

November 29-30, 2024 | Ovens Auditorium

Get ready for a festive adventure with the Muppets! Watch as Kermit and the gang work their magic to transform Ebenezer Scrooge (the one and only Michael Caine) from a grumpy miser into a holiday enthusiast on one unforgettable Christmas Eve. Your Charlotte Symphony performs the score live as this beloved family film lights up the big screen. It's a merry, Muppet-filled celebration you won't want to miss!

2. Handel's Messiah

December 13-15, 2024 | Knight Theater

The sacred holiday tradition of Handel's stunning masterpiece is back! Join your CSO, Charlotte Master Chorale, and four incredible soloists for an evening of passion and exquisite beauty. This enduring oratorio will have you leaping to your feet -- "Hallelujah!"

3. Cirque de Noël

December 19-21, 2024 | Knight Theater

The circus meets the symphony in this spectacular holiday show! With jaw-dropping acrobatics and your favorite holiday tunes, this fresh show will dazzle your family and ignite the wonder of the season! Don't miss out on this high-flying musical adventure.

4. Holiday Pops Family Concert

December 7, 2024 | Knight Theater

Join us for one of Charlotte's most cherished holiday traditions, perfect for the whole family! We'll bring beloved seasonal classics to life with timeless carols and spirited renditions of festive favorites. With special surprises from Santa and his crew, this joyful celebration promises to delight audiences of all ages.

Don't miss out on discounts for select holiday performances starting on July 17. The best deals melt away on July 31! Read more

Posted in Pops. Tagged as holidays.

Cellist Jeremy Lamb discusses ‘Oumuamua with Harvard Professor

May 14, 2024

In the lead-up to the orchestral premiere of his work A Ride on 'Oumuamua, CSO cellist Jeremy Lamb talks to theoretical physicist and Harvard Professor Dr. Avi Loeb about 'Oumuamua, the first interstellar object to enter our solar system, and the inspiration for Jeremy's composition.

Join us on May 17 & 18 at Belk Theater to experience the piece performed live alongside Caroline Shaw's The Observatory and Holst's The Planets, led by conductor William Eddins. Read more

Posted in Classics. Tagged as Classical, interview.

MERGE: Symphonic x Electronic

March 28, 2024

By Producer and DJ Liam Collins, known by his stage name Push/Pull

In the heart of an ever-evolving musical landscape, a remarkable fusion is taking place, one that bridges centuries of tradition with the forefront of technological innovation. On May 10 & 11, the Blackbox Theater will become the stage for an unprecedented event that promises to redefine the boundaries of sound and sensory experience.

This event, featuring a live performance by Push/Pull alongside the Charlotte Symphony, is not just a concert; it's a groundbreaking endeavor that merges classical music's rich heritage with the boundless possibilities of electronic music. The collaboration goes beyond mere performance, incorporating visual artistry by Tenorless to create a full sensory experience, unlike anything previously witnessed.

Liam Collins, Push/Pull

At its core, this fusion centers on harmony -- the beautiful synergy of multiple notes working together. Classical music has long explored the depths of tonal harmony, pushing the capabilities of human performance and physical instruments to their limits. In contrast, electronic music, with its precise control over timbres and rhythms, offers creative possibilities that transcend the constraints of traditional instrumentation.

Yet, for all its technological prowess, electronic music can sometimes miss the organic feel and virtuosity that give classical compositions their soul-stirring power. It's a reminder of our human potential and the profound emotional depth that music can reach. After all, classical music is not just a genre but a pinnacle of human artistic achievement, cultivated through centuries of dedicated exploration and mastery.

Tenorless

However, when these two worlds -- classical and electronic -- come together, they remind us that at their heart, both are simply tools in the hands of artists. Instruments and computers alike sit silently until brought to life by human creativity and passion. This event celebrates the merging of classical music's tradition, virtuosity, and composition with the expansive new sound design possibilities that electronic music provides.

As we look forward to this unique blend of past and future, tradition and innovation, we're reminded of the limitless potential of music to evolve and inspire. Join us at the Blackbox Theater on May 10 & 11 for an experience that promises to merge genres and transcend them, creating a moment in time where the essence of musical exploration is celebrated. Read more

Posted in Community. Tagged as community.

Heart of the Home Tour Returns

March 8, 2024

Step inside five exquisite homes across the city at the Symphony Guild of Charlotte's popular Heart of the Home Tour, returning on Friday, March 22, and Saturday, March 23. This signature fundraiser has become a cherished annual tradition, offering an exclusive glimpse inside Charlotte's beautiful homes, opening doors to inspiration in support of the Charlotte Symphony's Youth Orchestras and the Guild's youth music education initiatives.

This year's tour promises to be particularly special, as guests will not only marvel at the stunning architecture and design but also enjoy live music from the talented members of the Charlotte Symphony Youth Orchestra on Friday. From kitchens to outdoor entertaining spaces, these homes will showcase the latest trends in kitchen makeovers, bold design concepts, sustainable materials, and innovative appliances, providing endless inspiration for home remodeling and design.

Design enthusiasts will also have the opportunity to "ask the experts" about these beautiful homes as the architects, builders, and interior designers will be on-site throughout the weekend.

In addition to the main tour, guests can elevate their experience with a VIP Bubbles & Bites Event, held at the home of Honorary Chair Natalie Papier', the founder and owner of design firm HOME EC, on Saturday, March 23. Sip on champagne and savor delectable bites while mingling with fellow design aficionados in an intimate setting.

Proceeds from these events allow The Symphony Guild to support the Charlotte Symphony, its three Youth Orchestras, and The Guild's award-winning youth music education initiatives.

Click here for more information and to purchase tickets. Read more

Posted in Support. Tagged as Support the Symphony, Symphony Guild.

Composer Spotlight: Nia Imani Franklin

February 16, 2024

A multi-talented musician, composer, actress, conductor, and singer, Nia Imani Franklin was born and raised in Winston-Salem, North Carolina. Her journey in music began at a young age, taking classical voice lessons and composing her first piece at just six years old. Franklin continued her music education earning a master's degree in Music Composition from The University of North Carolina School of the Arts.

Franklin moved to New York after being selected for the 2017 William R. Kenan Fellowship with the Lincoln Center of the Performing Arts education division. She immediately began working with Success Academy Charter Schools and founded a music club for the students. She also served as a cultural partner for Sing for Hope, a NYC-based non-profit organization. In June 2018, Franklin was crowned Miss New York and earned the title of Miss America the following year.

Franklin's compositions have been performed by orchestras throughout the United States, with notable works like Chrysalis Extended garnering millions of views on TikTok.

The Charlotte Symphony performing Franklin's Chrysalis Extended at Queens University of Charlotte

In 2019, Franklin founded Compose Her -- an initiative aimed at empowering women in music. Through Compose Her, she provides support, mentorship, and opportunities for female musicians, advocating for gender equality in a field historically dominated by men.

Hear the Charlotte Symphony perform Franklin's When I Consider Your Heavens conducted by Christopher James Lees on March 19 at On Tap @ Town Brewing Company. Read more

Posted in Community. Tagged as Black composers, composer.

More Famous Than Mozart: Joseph Bologne, Chevalier de Saint-Georges

February 5, 2024

In 18th century France, Joseph Bologne was an unrivaled superstar -- in modern times, he would easily be a household name. Not only a composer, conductor, and a virtuosic violinist who outshone Mozart in Paris, the Chevalier de Saint-Georges earned renown as the greatest swordsman in Europe, a Colonel in the French Revolution, and leader in the abolitionist movement. Until recently, however, Bologne's incredible talent and achievements had faded to near-obscurity.

Bologne was born to an enslaved African-Guadeloupean mother and a French plantation owner father in 1745 on the island of Guadeloupe. The family moved to France when Joseph was a young child, and his father placed him in an elite private school in Paris. Notwithstanding the racist "Code Noir" that even prevented him from taking his father's suffix, "de Saint-Georges," Bologne studied alongside young aristocracy. Prominent teachers included the renowned master of arms, La Boëssière. The young swordsman excelled in fencing; at 17, receiving knighthood from Louis XV -- becoming Chevalier de Saint-Georges.

Though the Chevalier distinguished himself in many pursuits, his musical career rose to extraordinary heights, including the Palace of Versailles. Little is known about his musical training, though he likely learned from composer François-Joseph Gossec. Bologne publicly debuted two violin concertos (Op. 2) as the soloist with Gossec's Concert des Amateurs in 1772, later succeeding Gossec as the orchestra's musical director. He later founded the Concert de la Loge Olympique, which survived through the beginning of the Revolution, and after which, Bologne briefly led the Cercle de l'Harmonie.

His compositions spanned from violin concertos to operas, instrumental forms written between 1771 and 1779 comprising his oeuvre. Bologne contributed to the emerging Classical period with inventive styles. Bologne's symphonie concertantes, a blend of the Baroque concerto grosso and the Classical concerto, were some of the first in France to establish the genre. He wrote three sets of six works for string quartet, Six Quatours concertans. Bologne's three sonatas for keyboard and violin broke from the still-popular basso continuo Baroque style, and he looked ahead to the forming Classical period with textures and harmonies.

Bologne's intricate violin pieces gained the admiration of Mozart, who quite likely copied the Chevalier's work. A passage from Mozart's Symphonie Concertante in E-flat (K. 364) closely follows Bologne's violin concerto (Op. 7, No. 1), written the previous year. At the height of his illustrious career, Bologne often performed for Queen Marie Antoinette, and across the Atlantic, President John Adams acknowledged him as "the most accomplished man in Europe in riding, shooting, fencing, dancing and music."

But even exceptional talent and a high society upbringing did not protect the Chevalier from experiencing racism throughout his life. When he was considered a favorite to direct the Académie Royal de Musique, the foremost musical position in France, three of the Opera's prima donnas refused to be led by a person of mixed race. Their petition crushed Bologne's candidacy.

Art in Motion: Rosalia Torres-Weiner Chosen to Design CSO Roadshow

January 31, 2024

Charlotte-based creative Rosalia Torres-Weiner and the Charlotte Symphony are set to make beautiful music (and art!) together. Rosalia, Chief Executive Artist of Red Calaca Studio, was selected from an incredible field of talented, local applicants to design a wrap for the Symphony's brand-new mobile stage, CSO Roadshow.

Launching this April, CSO Roadshow will deliver free "walk up" concerts to streets, parks, and plazas for all to enjoy, with each unique program created in partnership with the local community. Our mission is to bring the power of live music right to the heart of Charlotte's neighborhoods. An additional highlight? The 40-foot trailer will be adorned with original artwork by Rosalia, bringing the mission to life in a vibrant way.

This collaboration is more than just a project for Rosalia, it's a heartfelt journey. "I feel a deep connection to the world of music, as my grandfather was a Military Band conductor in Mexico. His passion for music left a lasting impact on our family," she shared. "As a child, I was part of a junior orchestra and learned various instruments. Though my path diverged, music's influence remains a constant in my life."

Rosalia and the Symphony are now putting the finishing touches on this unique design. Stay tuned, as we'll be giving you exclusive sneak peeks of her work before CSO Roadshow sets off on its inaugural tour through our city's neighborhoods this spring.

This innovative project has been made possible thanks to the generous support of the City of Charlotte; the Arts & Science Council; the North Carolina Arts Council, a division of the Department of Natural & Cultural Resources; the Philip L. Van Every Foundation; and the Mariam & Robert Hayes Charitable Trust.

About Rosalia

Rosalia Torres-Weiner is an artist, activist and community leader in Charlotte, NC. Her art captures the themes, colors, and rich symbolism of her native home of Mexico. In 2010, Rosalia shifted the focus of her work from commercial art to art activism, after witnessing the repeated injustices and dysfunction of our immigration system. Her work is featured in the permanent collection of the Smithsonian Anacostia Museum and has been exhibited in venues including the McColl Center for Arts and Innovation, Levine Museum of the New South, Elder Gallery of Contemporary Art, the Leyland Gallery at Georgia College, UNCC's Projective Eye Gallery, the City of Raleigh Museum, the Latin American Center for Arts Gallery, the Birmingham Civil Rights Institute, and the Mexican Cultural Institute at the Mexican Embassy in Washington D.C. Her public murals celebrate the rich history as well as the changing demographics of the South. She also uses her art to document social conditions and to raise awareness about issues that are affecting immigrant communities such as family separation, access to public education, racism, and moving beyond common stereotypes.

Her story "The Magic Kite" was adapted by The Children's Theatre of Charlotte, and is also performed as part of her "Suitcase Stories" one-woman show, which was featured at the Smithsonian National Museum of American History. She has been a featured speaker for the North Carolina ASC, Johnson & Wales University, George Washington University, the National Association of Latino Arts and Culture, and the Southern Foodways Alliance. Through her Red Calaca Mobile Art Studio, a 24-foot "Art Truck" she takes the arts directly to people in underserved areas in Charlotte.
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Posted in Community. Tagged as community, cso roadshow.

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