Sound of Charlotte Blog
We're thrilled to announce your Charlotte Symphony's next President & CEO: David Fisk, current Executive Director of the Richmond Symphony, begins his new position at the CSO on August 31.
Born in Great Britain, Fisk moved to the United States in 2002 to serve as Executive Director of the Richmond Symphony, where access to music for all and strong financial management were consistent themes under his leadership.
Fisk began his musical life at the age of 8 in the choir at St. Paul's Cathedral in London. He went on to receive his degree in music from Manchester University and a postgraduate diploma in piano accompaniment from the Royal Northern College of Music, where he also studied harpsichord, composition, and conducting. Prior to moving into arts management, Fisk worked for a number of years as a freelance composer/arranger, conductor, repetiteur, and orchestral keyboard-player.
Fisk is married to Irish soprano Anne O'Byrne. They have a daughter, Fionnuala or "Finn" (22) and son Oliver (19). Other than music, his hobbies include swimming and scuba diving - often off the coast of North Carolina - horseback riding, and motorcycling.
Our city and our nation are struggling right now - forced, once again, to confront the hard truths of systemic injustice and inequality that People of Color know all too well and face daily. We cannot, in good conscious, continue to stand by and wait for change to happen.
The mission of the Charlotte Symphony is to connect and strengthen our community - our entire community - through exceptional musical experiences. We believe that music is a right, not a privilege; and that music can even be an agent for change. But we know that music alone is not enough. We recognize that we have not done enough to confront racial inequity in our organization or our industry, and we are truly committed to being part of the solution.
So where do we go from here?Last summer the Charlotte Symphony began work with a consultant who conducted a listening and survey process to get perspectives from internal and external stakeholders and assembled an advisory group - comprised of staff, board, and orchestra members - to help guide us through the difficult work of changing our culture. This advisory group is creating an actionable, long-term plan to examine our racial and other disparities, both onstage and off, so our organization can truly be equitable, diverse, and inclusive. We are honored to have received a grant from the League of American Orchestras' Catalyst Fund to advance these essential efforts.
We must strengthen our commitment to intentionally seeking out composers and performers of color, who are underrepresented in our industry, and commit to learning how to better serve the next generation through Project Harmony, our Youth Orchestras, and other education programs.
We realize that we have a lot of work to do, and we need the help of our staff, orchestra, partners, and especially the Charlotte community to hold us accountable as we move forward.
In recognition of Juneteenth, the Charlotte Symphony will be closed on June 19. Our musicians, staff, and board will be provided with a list of suggested activities and resources so they may use this time to better understand, honor, and reflect on the meaning of this important day.
We serve the Charlotte community, and we want to hear from you. Please share with us your thoughts and suggestions at email@example.com.
Interim President and CEO
We're trying something a little different this season. On October 15, a quartet of CSO musicians are going "Off the Rails" with a performance of contemporary music at Snug Harbor in Plaza Midwood. We caught up with two members of the quartet, Assistant Concertmaster Kari Giles and Acting Assistant Principal violist Kirsten Swanson, to get a sneak peek of the program.
|Assistant Concertmaster Kari Giles|
KG: I've never been fortunate to play a concert quite like Off the Rails! I have always been passionate about new music and putting together creative programs. It is so fun to search and discover new composers, bring their works to life, and then share them with an audience for the first time. [So] having the freedom to create a program and literally being told to "get wild" and "out there" was thrilling. I knew immediately that I wanted to partner with Jenny Topilow and Kirsten Swanson. On top of being amazing musicians, they are dear friends, and we have a long history of playing chamber music together. Jeremy Lamb has also been involved in many local new music collaborations and is a composer himself, so I knew he would be perfect addition
KS: I have been very fortunate to have spent a lot of my career playing contemporary music, and I absolutely love the creativity of 20th and 21st Century string quartet writing. I did a similarly programmed concert last year, but what I especially love about these pieces is that the composers play around with the Western musical tradition of a steady, toe-tappable, rhythm and sends the listener's inward pulse "off the rails."
What kind of music is on the program? How was it selected?
KG: The concert will open with John Adams' "John's Book of Alleged Dances." When it was suggested by my husband Mark Lewis, who is also a composer, I instantly loved it and knew we had to program it. Next on the program is "Carrot Revolution" by young and upcoming composer Gabriella Smith. The words "Rock Out" are literally marked into all of our parts in the opening, and the piece is filled with fiddle, blues, and rock riffs. Listen closely to hear her homage to The Who! A friend recommended I check out our third featured composer, Pamela Z. As an artist and composer, Pamela Z creates eclectic works using voice, live electronic processing and sampled sound. I don't want to give too much away, so I will just say that this work is dreamy and super cool. We have a few more surprises as well, so I hope everyone will come out ready to hear some new music they've never heard before!
|Acting Assistant Principal violist Kirsten Swanson|
KS: The works on the program toy with our sense of pulse and rhythm, one of the most essential elements of music. In the Adams work, he has the quartet playing with a pre-recorded track played on a player piano. The track is sort of our metronome, except it's not quite steady (or is it?), which is a trip for us as players and for the audience! Adams is making such fun of the idea of what makes a dance a dance and how we each frame our sense of pulse. I'll be so curious to hear what the audience feels throughout these.
Which do you think is the coolest or most fun piece on the program?
KG: The part of the program that is most personal to me is a movement of the Adams work called "Judah to Ocean." Adams is from San Francisco, and this movement is a musical picture of the N Judah train. It also happens to be one of the trains I took quite frequently when I was a student at the San Francisco Conservatory! Lots of good memories there.
KS: Carrot Revolution is totally the most fun! Anything that says "Rock Out" is going to be my favorite piece!
What kind of music do you listen to for fun?
KG: Currently my go-to musical companions are Prince, Rhianna, Tori Amos, and The Cure. I am also really going through a traditional Irish phase, and Dervish is just magical. My all-time favorite band, though, is Jump Little Children, who I went to school with when I was at NCSA.
KS: Oh man. My playlist is embarrassing. Last week I listened to Lizzo (butchered the lyrics); Raffi because he has a beautiful voice and the lyrics still get me as an adult (I mean! Robin in the rain/what a saucy fellow); Anderson .Paak because he's just amazing; and the oldies...because my parents did, and it's the music I listened to growing up.
What do you think people need to know about the concert before they show up?
KG: Just put on your coolest (or uncoolest) outfit, grab a drink at the bar, and have fun!
CSO Off the Rails will rock Snug Harbor on October 15 at 7 p.m. Tickets are $15 and can be purchased online in advance or at the door.
For the past few weeks, everyone here in the Charlotte Symphony office has been busy getting their piece of the events ready to go. People are calling daily to purchase tickets. The flyers and postcards have been coming in and right back out. Development is busy planning the annual Picnic in the Park. Even I am in on the action, preparing a few mix CDs to give our audience a preview of the upcoming 2012-2013 season and counting wristbands for the ticket tents. Sunday evening we will all head down to SouthPark to work at the event.
Summer Pops are really a time for community. As a small group, the Charlotte Symphony, we all work closely together to make everything go smoothly. All the staff turns out to work the ticket tents or the concert operations. But it is bigger than that. Not only do we build the community within the CSO, we reach farther out to the community as a whole. Summer Pops are that beautiful blend of casual atmosphere, low cost (only $10 a ticket), and classical music that will lend to a wonderful evening of fun and relaxation.
I, for one, am super excited for the start of Summer Pops. This will be my first concert with the CSO since the start of my internship. I have several friends who are planning to attend and I cannot wait to introduce them to the world of the symphony. Not to mention the chance to see you (hint, hint) enjoying the concert along with so many other members of the Charlotte community.
So, I hope to see you at Symphony Park this Sunday. It is sure to be a great experience for anyone who attends!
- WATCH NOW: Meet Incoming President & CEO David Fisk
- We're committed to a more equitable future
- A peek behind the curtain with General Manager John Clapp
- How your Charlotte Symphony is giving back
- Educating from a distance
- 14 years of passion for arts education & outreach with Chris Stonnell
- A powerful message from Cherokee Nation youth: Si Otsedoha (We're Still Here)
- CSO Musicians Go Totally '80s!
- Meet "Christmastime in Charlotte" composer, Gary Fry
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