BWW Review: RAVEL PIANO CONCERTO at Charlotte Symphony OrchestraJan 30, 2022
By Perry Tannenbaum, Broadway World Review --
You could arguably call it a facelift. After Charlotte Symphony's powerful performance of Mahler's somber, morbid, mercurial, epic, and sometimes phantasmagorical Ninth Symphony, almost everything seemed changed two weeks later. A new conductor was onstage, Australia-born maestra Jessica Cottis, making her Queen City debut. All six guest artists were making their debuts in Symphony's Classics Series, and even the site of their musicmaking was different, moving southward from Belk Theater at the Blumenthal PAC to Knight Theater at Levine Avenue of the Arts. Most transformative was the music, a kaleidoscopic multinational program connected by a distinct American thread.
The headliner on the program was Maurice Ravel'S PIANO CONCERTO, last performed by Symphony in 2013 when the wondrous Pascal Rogé made his Belk Theater debut at the keyboard. Jesse Montgomery's folksy, bluegrass-flavored Strum preceded the main event, when Canadian pianist Stewart Goodyear seated himself at the Steinway. Cottis had plenty more excitement in store for us after intermission, plunging into Igor Stravinsky's Circus Polka, for a Young Elephant - actually written at choreographer George Balanchine's request in 1942 for Ringling Brothers Barnum & Bailey's massive troupe of not-yet-controversial young elephants. Uncannily, another Balanchine commission rounded out the program, Kurt Weill's The Seven Deadly Sins (1932) with lyrics by Bertold Brecht - obviously written for people rather than pachyderms.