Despite Benched Clarinets, Charlotte Symphony Shines in Mozart and HandelApr 28, 2021
By Perry Tannenbaum, CVNC
Exactly one year after I last saw the Charlotte Symphony in live performance at Belk Theater, the orchestra returned to that same stage with music director Christopher Warren-Green at the podium. Much had changed. String players were all masked in the midst of the ongoing pandemic and socially distanced, too, reducing their number to 22. Performing with the CSO strings for the first time in a year, seven wind players were spread out across the upstage, socially distanced from one another, even more distanced from the strings, and slightly elevated above them. Apparently, the spread left no room for the two clarinets that Mozart added to his revised version of Symphony No. 40, so originalism was forced to prevail. The most heartbreaking austerity, however, was the continued absence of an audience, myself included. Keeping Mozart under wraps for seven Saturdays, along with Handel's "Entrance of the Queen of Sheba," CSO did not stream their March 6 concert until this past weekend.
That seemed more than ample time to perfect the audio and engineering for prime time, but when I screened the concert on Saturday on my desktop computer, feeding the audio to my estimable home theater setup, my audiophile sensibilities were appalled by the missing clarity, definition, transparency, and stereo imaging that emerged from my loudspeakers. Hoping for an enhanced experience, I switched to the YouTube version and streamed the concert through the same sound system on Chromecast. The difference was decisive. All the sounds blossomed and fell into place. It was emotional for me just to see principal oboist Hollis Ulaky and principal English hornist Terry Maskin returning to action on Saturday night after their long absence, playing prominent roles almost from the opening measures as they personified the Queen of Sheba while the strings represented King Solomon and his court. But I needed the YouTube version to discern Maskin layering onto Ulaky with a second oboe and to fully savor the beauty of their duets.