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Clarinetist Allan Rosenfeld’s Top 10 Orchestral Bass Clarinet Solos


In a previous blog post, I featured a list of my favorite orchestral clarinet solos. While a significant amount of my in the orchestra is spent playing the clarinet, there are many occasions when you can also catch me at CSO concerts performing on the bass clarinet. The bass clarinet is often featured for its ability to fortify and color the woodwind section. Nevertheless, there are some spectacular passages that spotlight the appeal of this magnificent instrument as a solo instrument in its own right.

Here are my Top 10 Orchestral Bass Clarinet Solos:

10) William Schuman's Symphony No. 3 (Part II, Toccata)

After a brief snare drum solo, the bass clarinet introduces the thematic material for the Toccata movement. Here is a chance to hear the bass clarinet whip up and down the lowest and highest parts of its range in an impressive display of virtuosic technique.

9) Gershwin's Concerto in F (Second movement)

This is a clarinet section soli accompanying various wind solos. It shows how wonderful the clarinets sound together with the bass clarinet filling out the bass line. Of particular note is the slinky and sensuous close harmony, which is unmistakably the sound of Gershwin!



8) Tchaikovsky's The Nutcracker (Dance of the Sugar Plum Fairy, middle of Pas de Deux)

The Sugar Plum Fairy solo is a classic -- instantly recognizable to anyone who has spent time in an elevator during Christmas season. The Pas de Deux solo is an especially tender bit of melodic writing for the bass clarinet.

7) Shostakovich's Symphony No. 8 (Fifth movement)

Low register mischief displays the boisterous side of the instrument's personality. 



6) Wagner's Tristan und Isolde (Act II, scene 3)

Wagner may have understood the lyrical capabilities and expressive character of the bass clarinet better than any other composer. These gorgeous opera passages really dig deep into the mournful, introspective side of the instrument.

5) Wagner's Die Walkure (Act II, scene 2; Act III, scene 3)

These two opera scenes showcase some of the best of the many big moments for bass clarinet in Wagner's Ring Cycle. For a truly outstanding example of great bass clarinet playing, try to get your hands on the Metropolitan Opera recording featuring former CSO clarinetist Jim Ognibene, who sadly passed away last year.



4) Stravinsky's Rite of Spring (Opening)

You've heard of Dueling Banjos; these are dueling bass clarinets!

3) Tchaikovsky's Manfred Symphony (First movement)

This is one of the prettiest melodies written for the instrument. It features the lyrical solo capabilities inherent in the bass clarinet's deep, dark voice.



2) Mahler's Symphony No. 6 (First movement)

Mahler and the bass clarinet go together like fine red wine and dark chocolate. Don't miss a lot more great writing for the instrument in Symphonies 1, 4, 7, and 9.

1) Khachaturian's Piano Concerto

Soaring, sustained solo passages venture into the lowest of low notes on the bass clarinet. Listen also for the unusual sound of a Flexatone -- a rarely scored percussion instrument. See also: Beginning and ending of second movement.

Posted in Classics. Tagged as Classical, CSO Musicians, Musicians.

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