Sound of Charlotte Blog
The Holidays are just around the corner, which means the return of time-honored traditions and the making of new ones. From acrobatics above the orchestra to snow in the theater, check out these five exciting experiences that you can have, only with your CSO.
1. Snow in the Knight TheaterYou may already be familiar with the CSO's annual Magic of Christmas, but did you know that it snows in the theater following the concert? Featuring a visit from Santa, audience sing-alongs and your favorite holiday music, this longstanding Charlotte tradition combines this year with Carolina Voices' The Singing Christmas Tree December 13-21.
2. Acrobatics above the orchestraWhen the circus comes to town, they don't mess around. Cirque de Noel on December 28 at Belk Theater will include stunning aerial feats that will wow the whole family.
3. Dancing on stage for New Year's EveThe party has moved to the Belk Theater this year to accommodate more room for the post-concert festivities. Swing into the New Year with style with Gershwin's famous Rhapsody in Blue, followed by champagne, desserts, a live jazz band, and a countdown to midnight.
4. Halleluja!Handel's Messiah returns this year by popular demand. The CSO will perform this beautiful, dramatic work featuring the Hallelujah Chorus with the Charlotte Master Chorale and four soloists on December 6 & 7 at Knight Theater.
5. Watch Kevin get left Home AlonePart of the CSO's Movie Series, the orchestra will perform the soundtrack to this delightful holiday classic live in sync with the film projected on a large screen above orchestra. Don't miss it on November 29 at Belk Theater. Read more
Violinist Jenny Topilow has a special connection to our upcoming Stars, Stripes and Sousa concert on Nov. 15 & 16: her father is the guest conductor! Find out in our interview below what it's like for Jenny to see her dad on the podium, and how Carl Topilow creates his patriotic clarinet for this concert.
Jenny, what's it like to have your father on the podium as your conductor? Have you worked together like this before?
JT: My Dad was my primary conductor when I was 18-22 years old. During that time, I wouldn't say we "worked" together as much as I was a student learning from him as a teacher, which he's great at. He did give me a B in conducting class [at the Cleveland Institute of Music], though (he was probably being generous!).
Since becoming a member of the Charlotte Symphony, I have worked with my Dad many times. Often it's just us playing duets (with him on the clarinet), but also in [an orchestral setting] a few times, too.
I'm very proud of my dad and his amazing career, and it is special when he is on the podium, but he's very cognizant about not treating me any differently when we are in a professional setting. Maybe he'll point out that I'm his kid and he's excited to have me in the band, but then it's down to business. As he says "I've worked with hundreds of violinists, and you're definitely one of them."
Carl and Jenny, what inspired you to choose a career in music?
CT: My love of music and my desire to pass this passion on to other people as teacher and performer was my inspiration to make this a full-time profession.
JT: I started violin at age three after seeing Itzhak Perlman on Sesame Street (a surprisingly common story!). It's been simply amazing to share the stage with him recently.
My dad being a conductor and my mom being a ballet dancer, they basically had the 16th sized violin waiting for me in the closet. I was pretty talented and practiced pretty diligently, but as a professional musician and a teacher at a conservatory, my dad knows just how hard it is to have a successful career in music, and never pushed me to go into it. He didn't exactly stand in my way, but he made sure I knew how competitive it is.
When I won my job with the CSO, he was the first person I called and he was the one person who cried happy tears with me, because he really understands how rare it is to win a job and how hard musicians work to prepare for auditions.
Is anyone else in your family musical?
CT: My brother, Arthur, is an excellent jazz pianist. He's also a much-respected hematologist/oncologist. My younger daughter Emily enjoyed performing as violinist with her college orchestra for 4 years and is now playing with a community orchestra in Cleveland. I recently appeared as guest conductor with that orchestra, and it was very rewarding to perform together!
JT: Like my dad said, my Uncle is a fantastic jazz pianist and my little sister plays the violin. My mom was a ballet dancer with Joffrey and the Metropolitan Opera in NYC before I was born and is a great lover of classical music (especially opera), and my stepmom, Shirley, is a professional tap dancer and also started the Cleveland Pops.
Carl, this kind of patriotic concert is one of your specialties. How did that come to be?
CT: These concerts do so much to instill a sense of pride and privilege to be living in the United States. There are many portions of the concert that are very moving, but I strive to create a balance of solemn and upbeat selections. It's always great to observe the reaction of the audience when they are touched by particular piece.
We hear you have a very patriotic clarinet... What's the story behind that?
CT: I have red, white, blue, and green clarinets, and can assemble parts of each to come up with multicolored clarinets. I always play the piccolo obbligato to the Stars and Stripes along with the orchestra piccolo players on a red, white, and blue clarinet.
See Jenny and Carl on stage together at Stars, Stripes and Sousa, November 15 & 16 at Knight Theater. Read more
We're trying something a little different this season. On October 15, a quartet of CSO musicians are going "Off the Rails" with a performance of contemporary music at Snug Harbor in Plaza Midwood. We caught up with two members of the quartet, Assistant Concertmaster Kari Giles and Acting Assistant Principal violist Kirsten Swanson, to get a sneak peek of the program.
|Assistant Concertmaster Kari Giles|
KG: I've never been fortunate to play a concert quite like Off the Rails! I have always been passionate about new music and putting together creative programs. It is so fun to search and discover new composers, bring their works to life, and then share them with an audience for the first time. [So] having the freedom to create a program and literally being told to "get wild" and "out there" was thrilling. I knew immediately that I wanted to partner with Jenny Topilow and Kirsten Swanson. On top of being amazing musicians, they are dear friends, and we have a long history of playing chamber music together. Jeremy Lamb has also been involved in many local new music collaborations and is a composer himself, so I knew he would be perfect addition
KS: I have been very fortunate to have spent a lot of my career playing contemporary music, and I absolutely love the creativity of 20th and 21st Century string quartet writing. I did a similarly programmed concert last year, but what I especially love about these pieces is that the composers play around with the Western musical tradition of a steady, toe-tappable, rhythm and sends the listener's inward pulse "off the rails."
What kind of music is on the program? How was it selected?
KG: The concert will open with John Adams' "John's Book of Alleged Dances." When it was suggested by my husband Mark Lewis, who is also a composer, I instantly loved it and knew we had to program it. Next on the program is "Carrot Revolution" by young and upcoming composer Gabriella Smith. The words "Rock Out" are literally marked into all of our parts in the opening, and the piece is filled with fiddle, blues, and rock riffs. Listen closely to hear her homage to The Who! A friend recommended I check out our third featured composer, Pamela Z. As an artist and composer, Pamela Z creates eclectic works using voice, live electronic processing and sampled sound. I don't want to give too much away, so I will just say that this work is dreamy and super cool. We have a few more surprises as well, so I hope everyone will come out ready to hear some new music they've never heard before!
|Acting Assistant Principal violist Kirsten Swanson|
KS: The works on the program toy with our sense of pulse and rhythm, one of the most essential elements of music. In the Adams work, he has the quartet playing with a pre-recorded track played on a player piano. The track is sort of our metronome, except it's not quite steady (or is it?), which is a trip for us as players and for the audience! Adams is making such fun of the idea of what makes a dance a dance and how we each frame our sense of pulse. I'll be so curious to hear what the audience feels throughout these.
Which do you think is the coolest or most fun piece on the program?
KG: The part of the program that is most personal to me is a movement of the Adams work called "Judah to Ocean." Adams is from San Francisco, and this movement is a musical picture of the N Judah train. It also happens to be one of the trains I took quite frequently when I was a student at the San Francisco Conservatory! Lots of good memories there.
KS: Carrot Revolution is totally the most fun! Anything that says "Rock Out" is going to be my favorite piece!
What kind of music do you listen to for fun?
KG: Currently my go-to musical companions are Prince, Rhianna, Tori Amos, and The Cure. I am also really going through a traditional Irish phase, and Dervish is just magical. My all-time favorite band, though, is Jump Little Children, who I went to school with when I was at NCSA.
KS: Oh man. My playlist is embarrassing. Last week I listened to Lizzo (butchered the lyrics); Raffi because he has a beautiful voice and the lyrics still get me as an adult (I mean! Robin in the rain/what a saucy fellow); Anderson .Paak because he's just amazing; and the oldies...because my parents did, and it's the music I listened to growing up.
What do you think people need to know about the concert before they show up?
KG: Just put on your coolest (or uncoolest) outfit, grab a drink at the bar, and have fun!
CSO Off the Rails will rock Snug Harbor on October 15 at 7 p.m. Tickets are $15 and can be purchased online in advance or at the door.
We're thrilled to announce the return of "Charlotte Symphony in Performance" on WDAV Classical 89.9!
Tune in from 3-5 p.m. on Saturdays, August 24 through October 12, to enjoy (or relive!) four popular concerts from 2017 and 2018 in their entirety. View the schedule below to plan out an afternoon with your Charlotte Symphony playing Gershwin, Bernstein, Mozart, and Mahler.
Air dates: Saturday, August 24, 3 p.m.
Saturday, September 21, 3 p.m.
Christopher Warren-Green, conductor
Charlotte Symphony Chorus
GERSHWIN An American in Paris
COPLAND Old American Songs
MARK O'CONNOR Americana Symphony
Air dates: Saturday, August 31, 3 p.m.
Saturday, September 28, 3 p.m.
Christopher Warren-Green, conductor
Jennifer Johnson Cano, mezzo-soprano
BERNSTEIN Symphony No. 1, "Jeremiah"
BERNSTEIN Symphonic Suite from On the Waterfront
BERNSTEIN Symphonic Dances from West Side Story
Mozart Exsultate Jubilate
Air dates: Saturday, September 7, 3 p.m.
Saturday, October 5, 3 p.m.
Christopher Warren-Green, conductor
Amanda Forsythe, soprano
MOZART Overture to The Magic Flute
HAYDN Symphony No. 65
MOZART Exsultate, jubilate
HAYDN Symphony No. 45
Mahler Symphony No. 2
Air dates: Saturday, September 14, 3 p.m.
Saturday, Saturday, October 12, 3 p.m.
The 2016-17 Classical series finale featured just one work; and it was big. More than 250 musicians joined forces to perform Mahler's Second Symphony. A magnificent work that explores the full range of human emotion and our shared quest for understanding. Experience wonder, doubt, triumph and faith in this epic, life-affirming journey
MAHLER Symphony No. 2 (in C Minor), "Resurrection"
Christopher Warren-Green, conductor
Charlotte Symphony Chorus
Kathleen Kim, soprano
Maya Lahyani, mezzo-soprano
This concert titled "Mahler Symphony No. 2" was performed at Belk Theater, May 12-13, 2017.Read more
This season, we're thrilled to have two outstanding women conductors lead the orchestra in concerts featuring masterworks by Beethoven and Bach. Find out how these women broke the "Glass Podium" and became trailblazers in the industry.
JoAnn Falletta: Classical Woman of the Year
JoAnn Falletta is the Music Director of the Buffalo Philharmonic Orchestra and the Virginia Symphony Orchestra, Principal Guest Conductor of the Brevard Music Center and Music Advisor to the Hawaii Symphony. This year, she was named by Performance Today Classical Women of the Year. Falletta joins us April 3-5, 2020 to guest conduct Beethoven's Pastoral at Knight Theater.
Here's how Falletta is making waves in the industry:
- Upon her appointment as Music Director of the Buffalo Philharmonic, she became the first woman to lead a major American ensemble. She has since been credited with bringing the Philharmonic to a new level of national and international prominence.
- In 2018, she made history as the first American woman conductor to lead an orchestra at the prestigious Beethoven Easter Festival.
- She has a discography of 115 titles, 2 of which won GRAMMY® Awards and 10 received nominations.
- She is acclaimed by The Washington Post as having "Toscanini's tight control over ensemble, Walter's affectionate balancing of inner voices, Stokowski's gutsy showmanship, and a controlled frenzy worthy of Bernstein."
- She has guest conducted over a 100 orchestras in North America, and many of the most prominent orchestras in Europe, Asia, South America and Africa.
- She has introduced over 500 works by American composers, including well over 100 world premieres.
Jeannette Sorrell brings fire to Baroque
GRAMMY®-winning conductor and harpsichordist Jeannette Sorrell is recognized internationally as one of today's most compelling interpreters of Baroque and Classical repertoire. She joins us April 17-18, 2020 to guest conduct Bach Brandenburg Concertos at Knight Theater.
What makes Sorrell extraordinary?
- She is the founder and artistic director of the renowned period ensemble APOLLO'S FIRE, with which has one of the largest audiences of any baroque orchestra in North America and sold-out concerts at Carnegie Hall, London's BBC Proms, Madrid's Royal Theatre, the Library of Congress, the Metropolitan Museum of Art (New York), and more.
- She, with APOLLO'S FIRE, has achieved 8 bestsellers on the Billboard classical chart and a 2019 GRAMMY®-winner.
- She studied conducting under Leonard Bernstein and Roger Norrington; and studied harpsichord with pioneer and pillar of the early music movement Gustav Leonhardt.
- She won both First Prize and the Audience Choice Award in the Spivey International Harpsichord Competition, competing against over 70 harpsichordists from Europe, Israel, the U.S., and the Soviet Union.
- She has attracted national attention and awards for her creative programming, which has brought many new listeners to early music.
- In demand with topnotch symphony orchestras and period groups alike, Sorrell has led the National Symphony at the Kennedy Center, the Los Angeles Chamber Orchestra, Seattle Symphony, Handel & Haydn Society, and more.
See these women in action at Knight Theater on April 3-5, 2020 for Beethoven's Pastoral and April 17-18, 2020 for Bach Brandenburg Concertos. Read more
It is with a heavy heart that we share former Charlotte Symphony cellist Dr. Samuel Craig Davis passed away on July 2, 2019. Dr. Davis was a musician, CMS educator, and trailblazer as one of the first African Americans to integrate into the Symphony in 1963. Current Charlotte Symphony musicians gathered at his funeral service on July 6 at First Baptist Church-West and played Bach's Air as he was laid to rest.
Dr. Davis's grandson, Derrick Eure, shares the main details of his life's work and how his perseverance made an impact on the symphony, and the greater Charlotte community.
Dr. Samuel Craig Davis's, life was highly dedicated to music education. As an African American Orchestra teacher in the Charlotte Mecklenburg Schools System in the early 1960's, Dr. Davis was already a trail blazer for introducing classical music into the world of a segregated Charlotte at the junior high and high school level. It wasn't until 1963, on his third attempt auditioning for the symphony, that himself and lifelong friend, Leroy Sellers (also a Violin teacher with CMS) were selected to be apart of the symphony under the direction of Richard Cormier. Following Cormier as Director, Jacques Browman would direct the two friends for the next 13 years.
During that time, Dr. Davis went on to foster a plethora of friendships with symphony friends, further crossing the racial divide with the common love for the music. Quartets were formed, and so many recitals took place as the symphony played in the home my grandfather masterfully built. In fact, Aurdrey Browman, wife of the director Jacques Bowman, even gave a piano recital, with notable members of the symphony performing, time and time again as he opened the doors to his home.
Let it never be about your skin, or where you're from or where you studied. Instead, let it always be about the music.
Names of famous opera singers like Dorothy Manor (NYC), & Gloria Davey even shared in the beautiful parties my grandfather put on, because he truly understood what magic could come when people no longer saw difference, but instead - simply, the music. That, is what I believe Dr. Samuel C. Davis's life work has shown us us all that we sometimes forget even still today. Let it never be about your skin, or where you're from or where you studied. Instead, let it always be about the music.
Our thoughts and prayers are with Dr. Davis's loved ones during this difficult time.
If you're headed out to Symphony Park to Celebrate America on July 3, don't miss these top 4 insider tips--from getting the best spot on the lawn to parking, and more.
1) Arrive and buy your tickets early
We're expecting a large crowd, and the best spots always get snatched up right when the gates open at 5 p.m. If you haven't purchased your tickets in advance, ticket prices will increase by $2 day of show. Tickets will be available online until noon and then you can purchase them at the gates beginning at 4 p.m.
There are 3 gates at Symphony Park: one by the DoubleTree, the main gate in the SouthPark Mall parking lot near Dick's Sporting Goods and Reid's Fine Foods, and one off of Barclay Downs Road. Pro tip: People begin lining up at the gates as early as 3 p.m.!
2) Bring lots of water, sunscreen, and bug spray
We'll have vendors selling beverages on-site, but it's going to be very hot and crowded. Wine and beer are allowed, but we ask that you please drink responsibly. Some of our vendors include King of Pops and Sunset Slush. You may bring umbrellas, but you will be asked to take them down right before the orchestra starts playing.
3) Carpool or use rideshare to get to the park
Parking is limited to the SouthPark Mall parking lot, which means close parking to the main gate gets claimed very early in the day. For your convenience, we have a guest drop off area right by the main gate.
4) Bring low-back chairs or blankets
As a courtesy to others, especially those sitting on blankets, please bring low-back chairs, such as one you might bring to the beach. We ask that if you do bring a high-back chair to please sit around the perimeter of the lawn and the park.
Most importantly, be respectful to others around you, and just have fun!
For more information on accessibility, prohibited items, and more, visit our FAQ page.
FLY Dance Company, dubbed The Gentlemen of Hip Hop, join us this summer to take on Mozart, Debussy, Brahms, and other greats of classical music in Breaking Classical with The Gentlemen of Hip Hop on June 21, 2019 at Belk Theater.
What exactly are they planning on doing on stage with a full orchestra behind them? These clever dancers are going to use their skills to show you just how poweful and beautiful a fusion of street dance and classical music can be.
So you think you know Hip Hop? Classical music? Think again.
Meet the crew:
Jorge Casco, Executive Director
Jorge Casco's love for music began at age four as a drummer and street dancer in Houston, Texas. Winning underground dance battles and making a name for himself in the underground B-Boy circuit, however, wasn't enough for him. He saw Fly Dance Company (FLY) perform at his school, and after a year as an understudy, Jorge became a principal dancer with FLY and toured internationally. Jorge performed in 110 school shows, and 65 dance concerts, reaching over 30,000 kids in a single season.
With a natural comedic side, Jorge's humor adds fun to every FLY engagement. Another particular strength is his ability to relate to and interact with his students--adults and kids alike.
Jorge works daily on his dream of growing FLY grow into a nationally recognized company with several chapters across the country.
Chris Cortez, Director
Chris Cortez is the product of one of the first in-school hip-hop dance programs that took place at Spring Woods Middle School in Houston, TX. The program provided three hours a week where he learned choreography, performance skills and new dance skills guided by his instructor Kathy Wood, who was also the Director of Fly Dance Company at the time.
Shortly thereafter, Chris joined FLY and had the chance to educate over 100,000 students about the positive impact of hip-hop on the youth. This was the beginning of the hip-hop culture leading Chris's life into a quest of providing hope and health to the youth that once was him.
Chris has traveled worldwide since 1998, performing, competing, instructing, and educating the youth about the art of B-Boying and hip-hop, as well as their positive impact. He has also been a part of the world-famous Houston Rockets Launch Crew for nine consecutive years. Chris had the opportunity to travel with the Rockets organization to the China games in Beijing & Guangzhou, the All-Star Game in 2011, and, most recently, the games in Taiwan and the Philippines.
Chadwick Franklin, Principal Dancer
Chadwick started his journey into dance at Westside High School after being inspired by his friends and classmates. After graduating he continued his experience by working at John Marshall Middle School under Lori Amare-Bujung as a Dance Instructor. Through instructing youth and creating choreograph, his love for the arts grew. He also performed with Theresa Chapman at Ronald McDonald's Boo Ball in 2014. He soon joined Sonkiss'd Dance Theater and briefly worked as a Principal Dancer for their Urbanity show, Urban Ballet, and toured with them in 2017 in Pennsylvania. After parting ways with the company, he found himself joining Fly Dance Company, of which he has been a member since the third quarter of 2018.
Jesse Magana, Principal Dancer
Jesse started performing at age 10, working with Kathy Wood's FLY Kids group. By the age of 15, he was performing, teaching, competing, and inspiring professionally. Jesse is a college graduate with an Associates Degree in business and marketing, and is pursuing his Bachelors Degree in advertising. His dream is to become an entrepreneur with his own entertainment company.
Timothy Pena, Principal Dancer
An artist with aspirations of making it big in the fashion, music and dance industry, "Lil Moe", as his friends call him, was named after the father he never knew. Raised by his great-grandparents, they eventually adopted him. He is currently working at Caught in Customs manufacturing Boutique, teaches hip-hop to young children at various Houston schools for after school programs, dances for the Houston Rockets Launch Crew, and dances with Fly Dance Company. FLY is proud of Timothy's achievements, given his tough and emotional up ringing, and they're excited to see what the future holds for him.
Sidney Pritchett, Principal Dancer
Sidney Pritchett developed his dance background at Westside High School in Houston, TX, where he danced all four years for the school's Inertia Dance Company. His performance experience includes, but is not limited to, working with the Houston Symphony at the Wortham Center for "The Twelve Days of Christmas", H-E-B's Thanksgiving Day Parade with singer/song writer Naturi Naughten, in China at the Eight Chinese Folk Art Festival in Beijing, Suzhou, and Shanghai, The Orange Bowl for Bowl Games of America in Miami, FL, and "The Thriller Dance" with Tony Smith. He has attended Mandy Moore, Pilobolus and Bollywood workshops. Last year, Sidney was featured in singer/song writer Beyoncé's new video, "Blow."
Adam Quiroz, Principal Dancer
Adam Quiroz first got into dance mostly being inspired by hip-hop and B-Boying. Known for bringing creative new ideas to B-Boying, it enabled him the privilege to attend events all over the US, Mexico, Canada, France, and Holland for competitions and judging. In 2005, Adam decided to branch out from San Antonio to Houston to be a part of Youth Advocates (Y.A.), working with at-risk youth. Shortly after, he joined the Houston Rockets Launch Crew, an NBA entertainment group and had the opportunity to perform at the NBA All Star Games from 2010-2013.
Adam has also worked and performed with various other dance groups most notably performing in Doha, Qatar for the Emir (known as the general/prince). Performing and teaching students about the positive aspects of Hip-Hop has been Adam's main goal over the last few years. Currently a member of Fly Dance Company he is most excited about building the new legacy of FLY for years to come.
Mrince Williams, Principal Dancer
Mrince Williams is a natural performer, named after both Michael Jackson and Prince. So you can imagine his dynamic performing ability! The youngest member of the group, he has been dancing since a young age, educating himself in all hip-hop and Latin styles of dance.
From Bugs Bunny to How I Met Your Mother, two works on the program for Ravel Boléro have appeared throughout pop culture for nearly a century. Find out where you've heard some of these works before and then enjoy them live at our final Classical concert of the season, conducted by Maestro Warren-Green, May 17-19 at Knight Theater.
Peer Gynt Suite No. 1Written for Henrik Ibsen's play of the same name, Edvard Grieg's Peer Gynt Suite No. 1 includes four works from the play, two of which have been heavily recycled throughout popular culture: "Morning Mood" and "In the Hall of the Mountain King."
"Morning Mood" may sound familiar because it's famous for accompanying images of a picturesque sunrise in movies and television.
You might recall hearing this famous melody in many films, such as Soylent Green (1973) and the Looney Toons' television special Bugs Bunny's Bustin' Out All Over (1980), as well as television shows, like Tiny Toon Adventures, Animaniacs, The Simpsons (Season 9/ Ep. 12 "Bart Carny"), The Big Bang Theory (Season 3/ Ep. 15 "The Large Hadron Collision"), and How I Met Your Mother (Season 5/ Ep. 11 "Last Cigarette Ever").
More fun uses of "Morning Mood" have been in commercials, such as the Doritos Super Bowl XLIX commercials, and as the opening theme music for the popular video game by PopCap Games, Peggle.
"In the Hall of the Mountain King" is another pop culture favorite that often accompanies a stealthy or mischievous scene.
You may recall hearing its theme in the film The Social Network (2011) and popular television shows such as Orange is the New Black (Season 1/ Ep. 4 "Imaginary Enemies" & Season 3/ Ep. 13 "Trust No B****"), How I Met Your Mother (Season 3/ Ep. 4 "Little Boys"), The Simpsons (Season 16/ Ep. 11 "On a Clear Day I Can't See My Sister"), and Mad Men (Season 2/ Ep. 12 "The Mountain King").
Another fun use of "In the Hall of the Mountain King" is as the theme song for the animated television series Inspector Gadget.
Many musicians have also found inspiration with this work over the years. Jazz musician Alvino Rey created his own rendition of the work in 1941, Electric Light Orchestra recorded a version that begins with the "Morning Mood" theme in 1973, and in 1967, British rock band The Who recorded a version which went unreleased until 1995, when it appeared as a bonus track on a CD reissue of The Who Sell Out. Most recently, Gwen Stefani and Justin Timberlake recorded a trap version of the theme, "Hair Up," which was released on the soundtrack to the film Trolls (2016).
BoléroOriginally composed as a ballet for Russian actress and dancer Ida Rubinstein, Boléro premiered in November 1928 at the Paris Opera. This sultry work is Ravel's most famous work and has continued to thrive in popularity throughout pop culture.
Boléro appears in a number of films, such as The Three Stooges film Soup to Nuts (1930), 10 (1979), Bolero (1984), Paradise Road (1997), and Basic (2003), as well as television series like Doctor Who (Series 2/ Ep. 8 "The Impossible Planet") and Futurama (Season 5/ Ep. 16 "The Devil's Hands Are Idle Playthings").
Additionally, Frank Zappa performed a reggae version of Boléro during his 1988 world tour, saying it was "one of the best melodies ever written," and Rufus Wainwright heavily integrated the it into his song "Oh, What a World."
However, probably one of the most famous uses was by Olympic Ice Skaters Torvill and Dean, who used a version as accompanying music for their record-scoring and winning performance at the 1984 Winter Olympics.
Join us for Ravel Boléro, May 17-19 at Knight Theater, to enjoy these incredible works performed live.
This weekend, April 12-14, we're performing Mozart's Requiem, a powerful and breathtaking work featuring the Charlotte Symphony Chorus and four soloists. Meet the impressive soloists taking the Belk Theater stage with us:
Soprano Margot Rood is praised by The Washington Post for her "colorful and vital" singing. She made her solo debut at Boston's Symphony Hall in 2011, and since then has been a frequent soloist with the Handel and Haydn Society.
Margot's recent and upcoming stage appearances include La Renommée in Lalande's Les Fontaines de Versailles and Francesca Caccini's Alcina with Boston Early Music Festival; Galatea in Acis & Galatea and First Witch in Dido & Aeneas with Handel and Haydn Society; Hyacinthus in Mozart's Apollo et Hyacinthus with Emmanuel Music, among others.
In addition to opera and oratorio, Margot was a 2015 recipient of the St. Botolph Club Foundation's Emerging Artist Award for her work in new music. She has recorded numerous world premieres and 21st century works. Her solo recording with composer Heather Gilligan, Living in Light, is now available from Albany Records. Margot holds degrees from the University of Michigan and McGill University.
Simon Pauly photography
Ms. Selowsky was a 2016 grant recipient from the Gerda Lissner Foundation and a 2015 recipient of a Richard F. Gold Career Grant from the Shoshanna Foundation. In 2014, she was a National Semifinalist in Metropolitan Opera National Council Auditions and won Third Place in the Houston Grand Opera's prestigious Eleanor McCollum Competition.
This season Isaiah makes solo debuts at Carnegie Hall, the Caramoor Festival, the Innsbruck Festival of Early Music, among others. Other recent engagements include George Benjamin's Written on Skin with the Toronto Symphony; Messiah with the St Paul Chamber Orchestra, the National Arts Centre Orchestra, and the Toronto Symphony, among many others.
As a composer, Isaiah has written four operas including the music and libretti for two operas for young audiences commissioned and widely toured by Opera NUOVA and a number of song cycles and arrangements.
Most recently, Adam sang in Verdi's Requiem with Guelph Symphony Orchestra, returned to Seattle Opera as The Speaker in The Magic Flute, and performed in the Mahler 8th Symphony with Maestro Kent Tritle at the Berkshire Music Festival.
Adam won First Prize in the 2016 Jensen Vocal Competition, and Top Prize in the 2015 George London Foundation competition. He was also a finalist in the 2016 Dallas Opera Competition. He has appeared with some of the nation's leading summer festivals including Merola Opera Center, Aspen Opera Theater Center, and Santa Fe Opera.
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