Baroque & Beyond
 

  
Alan Yamamoto
Resident Conductor  

Scott Allen Jarrett
Director, Oratorio Singers of Charlotte

Tickets available by phone, at the Box Office, or at the door on the night of the performance.

Call 704.972.2000

 

Baroque & Beyond 1
Nov 15 at 7:30 p.m.
Halton Theater
Nov 17 at 8 p.m.
Davidson College
Alan Yamamoto, conducting
Scott Allen Jarrett, conducting
Oratorio Singers of Charlotte

BACH - Nun ist das Heil und die Kraft, BWV 50

MENDELSSOHN - Psalm 42, Op. 42 Wie der Hirsch schreit

HANDEL           Zadok the Priest

BRAHMS - Serenade No. 2, Op. 16

The Oratorio Singers of Charlotte open the first concert of the new “Baroque & Beyond” concert series with two choral works of the German Protestant tradition – a brief cantata by J.S. Bach (“Now is come salvation and strength”) and Felix Mendelssohn’s serene setting of Psalm 42 (As the doe pants for running streams”). Mendelssohn composed much of this work while on his honeymoon and was pleased with the result, writing that it was “the best thing of its kind that I have written.” The orchestra follows with Brahms’s enchanting second Serenade, one of his earliest orchestral works. Comprised of five short movements, with no violins, the Serenade highlights the lithe lyricism of the woodwinds.

Tickets: $18; students $5

Halton Theater, Central Piedmont Community College (Nov 15)

Duke Family Performance Center, Davidson College (Nov 17)

Baroque & Beyond 2
Handel’s Saul
Feb 28 at 7:30 p.m.
Halton Theater
Scott Allen Jarrett, conducting
Oratorio Singers of Charlotte

Although not as well known as Messiah, Handel’s oratorio, Saul, is considered by many to be his greatest dramatic work – in fact, one of the great dramatic works of the ages. With a libretto by Charles Jennens (who wrote the text for Messiah), Saul chronicles the story of David and King Saul as told in the Old Testament’s First Book of Samuel. But, while faithful to the Biblical text, it really assumes the form of Greek or Shakespearean tragedy as it explores King Saul’s madness and eventual death. Handel’s music, composed in 1738 (the year after he suffered a serious stroke), is masterful in its characterizations, and the orchestration – beefed up with trombones, harp, and extra percussion – is one of the largest in 18th-century repertoire.

Tickets: $18; students $5

Halton Theater, Central Piedmont Community College

Baroque & Beyond 3
Apr 10 at 7:30 p.m.
Halton Theater
AND

Apr 11
at 7:30 p.m.
Matthews United Methodist Church



Alan Yamamoto, conducting
Lyle Steelman, trumpet
Richard Harris, trumpet

VIVALDI - Concerto for Two Trumpets in C Major

COPLAND - Appalachian Spring: Suite

BACH - Brandenburg Concerto No. 3 in G

STRAVINSKY - Danses concertantes   (1942) 

The final concert of this series explores the Baroque in Baroque & Beyond with wonderful works by Baroque masters Vivaldi and Bach: the Concerto for Two Trumpets, featuring Charlotte Symphony trumpeters Lyle Steelman and Richard Harris, and the third Brandenburg Concerto, an elegant concerto grosso for strings. The program goes “beyond” with two dance-inspired pieces from the 1940s: Copland’s beloved Appalachian Spring Suite and Stravinsky’s Danses concertantes, created while the composer lived in Hollywood and subsequently choreographed by George Balanchine.

Location
Apr 10 at 7:30 p.m.

Halton Theater

Apr 11
at 7:30 p.m.
Matthews United Methodist Church


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