Scott
Allen Jarrett was recently lauded by the Boston Globe as
“the most promising young figure to emerge on the local
choral scene.” A native of Virginia and proud alumnus of
South Carolina’s Furman University, Jarrett went to Boston
in 1997 to pursue graduate degrees at Boston University,
where he received his doctorate in conducting. Jarrett
serves as Director of Music, Chapel Organist and Choirmaster
at Boston University’s Marsh Chapel. Also at Boston
University, his appointment includes adjunct faculty posts
in both the School of Theology as a Lecturer in the Practice
of Sacred Music and in the College of Fine Arts as Teaching
Associate in Choral Conducting. As Director of Music at
Marsh Chapel, Jarrett leads the Chapel Choir and Collegium
in weekly worship services broadcast on the internet and
National Public Radio. Recent seasons of Music at
Marsh Chapel have included Bach’s Magnificat, Easter and
Ascension Oratorios, St. John Passion, Handel’s Saul, the
Faure Requiem, and Mozart’s Mass in C Minor.
This fall,
Jarrett will begin his fourth season as Music Director and
Conductor of the Oratorio Singers of Charlotte, the resident
chorus of the Charlotte Symphony in North Carolina. This
season Jarrett will lead the chorus and orchestra in
semi-staged performances of Handel’s Saul, in addition to
works by Bach and Mendelssohn, and chorus preparation for Orff’s Carmina burana. In recent seasons with the Charlotte
Symphony, Jarrett conducted performances of Brahms’
Schicksalslied, Schumann’s Nachtlied, Messiah, Barber’s
Prayers of Kierkegaard, and Mozart Violin Concerto No 4.
Each year, Jarrett leads the Oratorio Singers Chamber Chorus
in performance at the annual Piccolo Spoleto Festival in
Charleston, SC.
After guest conducting the 30th Anniversary
Concert, Jarrett was named the fifth music director of the
Back Bay Chorale in Boston. The performance of Handel’s
Judas Maccabaeus garnered critical acclaim from the Boston
Globe: “Judas Maccabaeus was a great success, and Jarrett
established himself as the most promising young figure to
emerge on the local choral scene… This was Jarrett’s night –
he’s tasteful and talented, someone to keep our eyes and
ears on.” Recent seasons included performances of Schumann’s
Das Paradies und die Peri, the St Matthew Passion of Bach,
Monteverdi’s Vespers of 1610, and the Beethoven Missa
Solemnis. Highlights of the current
season are Haydn’s ‘Lord Nelson’ Mass and Mendelssohn’s
Elijah.
For eight summers, Jarrett served as the Assistant
Conductor of Choirs at the Boston University Tanglewood
Institute where he assisted Dr. Ann Howard Jones. Also at
Tanglewood, Jarrett taught advanced music theory and history
to the students in the Young Artist Vocal Program. In August
each year, Jarrett serves as Resident Conductor for New
Hampshire’s White Mountain Musical Arts Bach Festival,
leading the festival’s orchestra and chorus in performances
of the great orchestral and choral masterworks of Bach.
As a
pianist, Jarrett frequently serves as rehearsal pianist and
assistant for Ann Howard Jones. He also accompanied
rehearsals for the late Robert Shaw during his Boston
visits. As the rehearsal pianist for the Carnegie Hall
Choral Workshop, Jarrett played rehearsals for Charles Dutoit. As a baritone, Jarrett has been a member of the
Robert Shaw Festival Singers, the Boston Bach Ensemble, and
Schola Cantorum of Boston.