Sound of Charlotte Blog
China Forbes (vocals) was born and raised in Cambridge, Massachusetts where she graduated cum laude from Harvard and was awarded the Jonathan Levy Prize for acting. She appeared in New York regional theatre and off-off Broadway productions, earning her Equity card alongside future stars of stage and screen such as Norm Lewis, Peter Jacobson and Rainn Wilson.
Soon after college China formed and sang with her first band. They regularly performed at NYC clubs CBGB's Gallery, Mercury Lounge and Brownies. Her first solo album Love Handle was released in 1995 and she was chosen to sing "Ordinary Girl," the theme song to the TV show Clueless.
In 1995, she was plucked from New York City by Harvard classmate Thomas Lauderdale to sing with Pink Martini, and has since written many of Pink Martini's most beloved songs with Lauderdale, including "Sympathique," "Lilly," "Clementine," "Let's Never Stop Falling in Love," "Over the Valley" and "A Snowglobe Christmas," which can be heard on Pink Martini's holiday album Joy to the World. Her original song "Hey Eugene" is the title track of Pink Martini's third album and many of her songs can also be heard on television and film. She sang "Qué Será Será" over the opening and closing credits of Jane Campion's film In the Cut and her original song "The Northern Line" appears at the end of sister Maya Forbes' directorial debut Infinitely Polar Bear, which was released in 2015 by Sony Pictures Classics.
With Pink Martini, Forbes has appeared on The Late Show with David Letterman, Late Night with Conan O'Brien, The Tonight Show with Jay Leno and Later with Jools Holland. She has performed songs in over twenty languages and has sung duets with Michael Feinstein, Jimmy Scott, Georges Moustaki, Henri Salvador, Saori Yuki, Faith Prince, Carol Channing and Rufus Wainwright among others. She has performed in venues from Carnegie Hall to Red Rocks, the Sydney Opera House to the Grand Rex in Paris. She released her second solo album '78 on Heinz Records in 2008, a collection of autobiographical folk-rock songs.
Midshipman 4th Class Adam Thomas is a June 2015 graduate of South Mecklenburg High School and says he's ecstatic about the opportunity to continue his music education at the Naval Academy. "I have many fond memories of performing in the Charlotte area, and I am looking forward to performing with the Symphony," says Thomas. "Even more important, I am excited to bring some of my new friends at the Academy home to Charlotte and let them enjoy some true southern hospitality!"
A Salute to America's Heroes promises a patriotic program honoring all who have served and are serving our country. This talented group of midshipmen perform a wide range of sacred music and American spirituals, plus the famous "Naval Hymn," "Battle Hymn of the Republic," "Ave Maria," and more!
Conductor Albert-George Schram has collaborated with the Men's Glee Club on three previous occasions in Charlotte, Columbus, and Nashville and is excited once again to be working with one of America's premier men's choral ensembles.
"I am deeply proud and honored to be able to bring these highly talented young men to Charlotte and introduce them to our Symphony and our audience," says Schram. "This Glee Club is extraordinary, and together with our Symphony, they will provide attendees with an evening of music they will long remember."
For more information, click here.
John Goberman is a legendary name in performing arts circles. Probably best known as the creator of Live From Lincoln Center, Goberman developed the audio-video technology for telecasting live arts performances without audience or performer disruption and has earned tons of accolades (including Emmy and Peabody Awards) for his work in the arts.
Goberman also created a series of film-and-concert presentations called Symphonic Night at the Movies with many orchestras, including the Charlotte Symphony.
We kick off our 2015-2016 Pops series with a presentation of Singin' in the Rain September 18 and 19 at 8 p.m. in Belk Theater.
We caught up with Mr. Goberman before he joins us in Charlotte for Singin' in the Rain next weekend.
Charlotte Symphony: So how did the idea of Symphonic Night at the Movies come to you?
John Goberman: It all started with Alexander Nevsky, the great Prokofiev/Eisenstein cowboys-and-Indians Hollywood western, which they converted into a Russians-and-Germans non-esoteric thrilling picture with the best film score ever written. It turned out to be the worst film score recording ever, which is why I thought it would be great to have a real orchestra play it--live--and figured out ways to do that, which we premiered in Los Angeles with Andre Previn.
CS: Why was that important to implement when you did?
JG: Because there was a period of Hollywood filmmaking that used symphonic music, I thought there might be some other films where the live presence and sound of a symphony orchestra would fill (at least the composer's) concept of the music. The Wizard of Oz, Singin' in the Rain, Psycho, Casablanca--they're all films in which the music is extremely important to the experience. The presence of an orchestra turns the event into a performance of a film, instead of just a screening of a film.
CS: Seems complicated. How exactly will Conductor Albert-George Schram coordinate all of this?
JG: I like to think that this experience for the conductor and orchestra is very much like playing an opera--when there's give and take between the performers and orchestra--except here there is no give. The conductor will be accompanying the singers on the screen just as he would in an opera. And while there is no "adjusting" coming from the screen singers--you can be sure they will do it the same every time! Same with the dancers.
CS: So, does the orchestra rehearse with the movie on? How do they prepare?
JG: Yes. The orchestra and conductor can prepare completely in advance by studying a DVD prepared for them. The study DVD contains all the visual elements of the performance, plus the dialog, vocal and sound effect tracks, without the music (as it will be in the performance) and also the original tracks with the music so he knows he is correct. There is also a clock, an analog clock with a sweep hand, which he uses as a guide so that the music is accompanying the picture correctly (a certain time at a certain point marked in the score).
CS: How did you get into the field of music production? Did you study music?
JG: I used to be a cellist, and then I started the Live from Lincoln Center television series, which I produced until recently. But I have always had an affection for my live orchestra presentations of film. It is an audience experience and a musical experience that allows the work of some great composers to be heard fully, in context.
Click here to watch a Singin' in the Rain with live orchestra video.
For more information and to purchase tickets, click here.
Post written by Virginia Brown
Albert-George Schram is known at the Charlotte Symphony as the joyful white-haired conductor that makes seeing the orchestra play Pops concerts, ranging from Christmas music and Broadway to Motown, exciting. Elsewhere around the country, he's known for conducting Classical music. In a recent article in Charlotte Observer, Larry Toppman covers this in "Charlotte Symphony's Albert-George Schram leads two lives."
Within the article, we learn 5 interesting facts about George:
1. He got bad early reviews from his piano teacher: "As a boy, my first instrument was tuba. I played cornet, euphonium, other wind instruments. And I'd ride my bike up to an old lady's house and sit among these big dark curtains to study piano. She told my father, 'You are really wasting your time.' "
2. He was a 20-year-old 12th-grader in Canada: "I was living in Alberta, and they wouldn't accept my Dutch high school degree. So I finished school while working on a farm with 12,000 chickens, collecting eggs and hammering fence posts into the ground."
3. After getting a bachelor's in music from the University of Calgary, he became music director of Stratusfaction, a 25-piece Canadian jazz ensemble that peaked with gigs in Reno, Lake Tahoe and Las Vegas. He played trombone and trumpet, sang, arranged and wrote musical charts.
4. Languages come quickly to him. He improved his English after settling in Canada by watching TV. His favorite program: "Stampede Wrestling," where Archie "The Stomper" Gouldie battled Abdullah the Butcher. Much later, he spent a month at a Spanish-language institute, so he could conduct in Bolivia and Argentina.
5. He watches the Grammy Awards. "I do it because I want to know what's happening now," he said. "If I don't think any of the music played today is good music, and millions of people take to it, then I have to start opening my ears wider."
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